An intelligent but somewhat stolid life that captures (but is also imprisoned by) its hero’s enigmatic nature.
It has been over 30 years since the last biography of Metaphysical poet Marvell, and Welsh poet Murray takes full advantage
of the intervening research in his new life of this intensely private yet highly public man. Marvell was a mercurial figure, a tempestuous man in a turbulent age, a poet and pamphleteer, a controversialist and a member of Parliament. Yet even given new information uncovered in the past three decades, little is known about long stretches of his life and career. Indeed, as Murray ruefully admits at one point, we cannot even be entirely sure of the pronunciation of Marvell's surname. Some things are certain, though. Marvell was a Puritan minister's son, born on March 31, 1621, educated at Eton, orphaned at 19 when his father drowned. Because, like so many men of letters of his era, he could not hope to support himself by writing, he found employment, after a period of about four years abroad, as a tutor to the children of the well-to-do. Both before and after his election to Parliament, he wrote verse and, eventually, prose; ironically, his topical prose writings were the mainstay of his reputation throughout his lifetime and for most of the century after his death in 1678. His poetry began to receive something like its current recognition only in the early 19th century. Murray's portrait of Marvell reveals a clever, gifted man who was willing to do whatever was necessary to survive the swift-running currents of the Cromwell era and the Restoration, yet a man of bedrock integrity. The author's analyses of the verse are workmanlike, if uninspired, and his grasp of the complexities of the period is impressive. The result is a solid popular biography of a secretive figure, bedeviled by the clouds of mystery still surrounding its subject.
An intelligent but somewhat stolid life that captures (but is also imprisoned by) its hero’s enigmatic nature.Pub Date: March 1, 2000
ISBN: 0-312-24277-8
Page Count: 304
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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