by Nicholas Rov Kent ‧ RELEASE DATE: N/A
A layered, paranoiac puzzle book with an impressive sense of atmosphere.
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In Kent’s debut novel, a series of disparate documents holds the key to a mysterious societal shift.
In a near future wracked by income inequality, the world’s three richest men die in quick succession, the first seemingly of old age, the second at the hands of a mentally ill gunman, and the third killed by a drone. In a leaked confession, the shooter of the second man claims he had been “haunted and ultimately possessed” by an image later known as the Meme—a pixelated photograph of an alley wall with 10 words written in blood: “The Richest! In Order! With Order! By Order! For Order!” Before long, the world’s wealthiest people start dropping like flies in what comes to be known as the Meme War. As a result, the mega-wealthy break up their estates as quickly as possible. Decades afterward, the world’s oldest man—who shares a name with the author—makes a deathbed confession taking credit for the Meme, although the story isn’t quite as simple as that. In a dossier of mixed documents with multiple authors, the fictitious Kent lays out a story centuries in the making—one that involves cargo cults and Soviet defectors, an artificial intelligence, and the black box of a downed airplane recovered off the coast of Antarctica. Together, these fragments purport to tell a tale of the greatest societal revolution in human history, but the old man won’t give up the truth easily. Instead, the documents form a puzzle that the reader must solve to learn the secret history of the modern world.
Author Kent performs a sort of ventriloquism act in these pages, mimicking the language of various documents and characters, although when he narrates as his fictional persona, he tends to take on a baroque theatricality that is reminiscent of the works of Jorge Luis Borges or H.P. Lovecraft: “time capsules often take the form of bitter pills,” he warns the would-be reader in his prologue. “As you digest this one, explore the contours of your resolve and ruminate on what they mean for your life, beliefs, and actions, for these may be about to change.” The work that follows is more of a linked collection of stories than a proper novel, and the connections between the various pieces are not always obvious. Readers may also find the final puzzle to be somewhat of a letdown, if only because the author works so hard to stoke the reader’s expectations along the way. Even so, the individual chapters are each enjoyable in their own right, as Kent has a way of capturing contemporary concerns, such as income inequality, in grand, gothic terms. Furthermore, the inclusion of real-world phenomena, such as the early-20th-century John Frum cult and the 2014 disappearance of Malaysian Airlines Flight 370, to say nothing of Kent’s fictional twin, lends the novel a charming aura of verisimilitude. Fans of Mark Z. Danielewski’s novel House of Leaves (2000) and similar metafictional mysteries will likely enjoy this addition to the genre.
A layered, paranoiac puzzle book with an impressive sense of atmosphere.Pub Date: N/A
ISBN: N/A
Page Count: 279
Publisher: Manuscript
Review Posted Online: May 1, 2022
Kirkus Reviews Issue: June 15, 2022
Review Program: Kirkus Indie
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by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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SEEN & HEARD
SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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