A cornucopia of factoids and fun asides bursting with a wealth of in-depth information on every aspect of sneakers, from...
In his first book, journalist Smith follows his fascination, sprinting through the evolution of the planet’s hippest, most popular footwear, a history that goes way beyond sports and into the streets of the youth culture.
The tale begins with inventor Charles Goodyear, whose innovations and patents on rubber laid the basis for all things sneaker to come. Combine these innovations with a demand for sports footwear, and an industry was born. From the expansion of soccer and rugby, men’s and women’s tennis, the rebirth of the Olympic games, and the 1891 invention of basketball, the turn-of-the-20th-century sports explosion created an increasing proliferation of athletes—along with thousands of feet needing protection. As the author demonstrates, with the professionalization of sports through the coming decades and events like the 1960s creation of jogging as a pastime, the demand for sneakers continued to grow—and it hasn’t lost any momentum in the new millennium. The demand for sneakers today often boils down to status (“some people will wait in line for days to get kicks no one else has”) rather than utility, and Smith details how ingenious media campaigns such as Spike Lee’s Mars Blackmon/Michael Jordan ads spawned an all-new fashion boom beginning in 1988, with Nike selling millions of pairs of Air Jordan sneakers for their creative efforts. Today, with sneakers dominating the streets on the feet of the youth, the author explains that this universal footwear has become the latest symbol of globalization. With that symbolism, new controversies abound. Aside from sneaker manufacturers still battling to overcome stigmas of sweatshop conditions and poverty wages, they walk a fine line in marketing their wares as the popularity of gangster fashion grows in the street culture.
A cornucopia of factoids and fun asides bursting with a wealth of in-depth information on every aspect of sneakers, from their birth to their current and continuing explosive popularity.Pub Date: May 1, 2018
ISBN: 978-0-451-49811-3
Page Count: 320
Publisher: Crown
Review Posted Online: March 23, 2018
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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