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THE VERY ITCHY BEAR

What this app lacks in originality it makes up for in cuddly familiarity. Bear enchants, even wordlessly, and is coming into...

Employing similar techniques as The Very Hungry Bear (2012), which features the same titular ursine, this story about a persistent flea offers flashes of humor and a neat lesson about scale.

Big, brown Bear must deal with an unwelcome companion, a freeloader named Flea, who is "about to bite, / but not because he's impolite." Using effective snippets of animation, broad sound effects and a neat technical trick of zooming in and out on the tiny Flea when he's tapped, the app is invitingly playful. The illustrations are comical and well-detailed, even if the animation, as in the previous app, feels a little erratic and bouncy. Sometimes the zooming feature requires a bit of work to activate. But Bear's expressions continue to be priceless, and the floating-objects-on-water effects when he lands in the sea are impressive. In fact, a bonus game at the end of the story allows players to build a boat and then sail it on that body of water, a variation on the igloo-building feature of the earlier title. While the app doesn't feel particularly new, the story wraps up nicely with Bear and bitty Flea becoming friends after a rescue.

What this app lacks in originality it makes up for in cuddly familiarity. Bear enchants, even wordlessly, and is coming into his own as an app star young readers will be happy to see again. (iPad storybook app. 2-6)

Pub Date: Sept. 11, 2012

ISBN: N/A

Page Count: -

Publisher: Wheelbarrow

Review Posted Online: Oct. 23, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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