Next book

MAKING HASTE FROM BABYLON

THE MAYFLOWER PILGRIMS AND THEIR WORLD: A NEW HISTORY

A well-executed, comprehensive overview of some of America’s earliest settlers.

In an ambitious debut, former investment banker and Financial Times writer Bunker sets out a new history of the Mayflower pilgrims.

Most stories about the settlers focus on the period after 1620, when the pilgrims first landed in the New World to found Plymouth Colony in what is now Massachusetts. Bunker takes a distinctly wider view, with about half of the narrative concentrating solely on the Puritans’ British origins and their history in Europe before they made their fateful trip. In these early sections, the author makes convincing arguments disputing the conventional notion that the small town of Scrooby was the center of the early Puritan movement, pointing out that the movement was spread across a wide area. In a discussion of King James I of England, who actively loathed the Puritans, Bunker includes a graphic description of the monarch’s 1625 autopsy, which he uses to make a sharp point about how the king saw Puritanism as nothing more than a disease. The last part of the book deals largely with the Puritans’ life in the New World and how they managed to survive. Unsurprisingly, given his financial background, Bunker also deals with an array of economic issues—in one instance, he touches on how one Mayflower investor smuggled alum, a powder used in fabric dying, to recoup his losses—but he handles these sections with a light touch, never bogging down in statistics. Indeed, the author’s good judgment in choosing such details is the main strength of the book. Readers will be drawn into the Puritans’ early history by Bunker’s generous, accessible prose style, which is maintained even in analyses of finer points of politics, economics and religious thought.

A well-executed, comprehensive overview of some of America’s earliest settlers.

Pub Date: April 16, 2010

ISBN: 978-0-307-26682-8

Page Count: 400

Publisher: Knopf

Review Posted Online: Dec. 30, 2010

Kirkus Reviews Issue: Jan. 15, 2010

Next book

ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

Next book

THE WOMEN WHO MADE NEW YORK

An eclectic assortment of women make for an entertaining read.

An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.

In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.

An eclectic assortment of women make for an entertaining read.

Pub Date: Oct. 25, 2016

ISBN: 978-1-58005-653-3

Page Count: 304

Publisher: Seal Press

Review Posted Online: Aug. 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

Close Quickview