Next book

TWELVE

Not bad for a by-now 18-year-old, but still far from good: McDonell should stay in school a few more years.

Debut novel penned by a 17-year-old private high-school student in Manhattan.

If you liked Harmony Korine’s film Kids, you’ll definitely be into McDonell’s story. Set entirely in New York, it follows the closely linked but vastly different worlds of Harlem and the Upper East Side, where the accidents of birth and geography create problems that few outsiders might guess at. The central character is White Mike, a very bright but alienated prep-school kid who has dropped out to become a drug dealer. Mike has never so much as tried marijuana himself, but he likes the freedom drug money brings him, and he has a very ready market among his old classmates—a weird bunch indeed. There’s Charlie, who pawns his mother’s jewelry to buy guns. And Jessica, a debutante who trades sex for drugs. Claude is into guns, too, and it seems that most of the rich kids of Park Avenue have gangsta’ fever: The coolest among them speak in black slang and like to hang out in neighborhoods way uptown even when they don’t need to score spliff. Hunter McCullough, for example, comes up to Harlem with White Mike to shoot hoops at a gym called the Rec—but one night he gets into a fight with a kid from the projects named Nana. Too bad for him, too, because when Nana and Charlie are found dead one night on 117th Street, the cops arrest Hunter (who still has Nana’s bloodstains on his clothes). White Mike, whose mother died of breast cancer not long before all this, is pretty demoralized no matter how you look at him, but he has enough heart left to figure out that Hunter’s not the man. But, like, what can you do when everything’s so wickedly messed up?

Not bad for a by-now 18-year-old, but still far from good: McDonell should stay in school a few more years.

Pub Date: July 1, 2002

ISBN: 0-8021-1717-1

Page Count: 256

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Next book

EVA LUNA

Here, after last year's Of Love and Shadows, the tale of a quirky young woman's rise to influence in an unnamed South American country—with a delightful cast of exotic characters, but without the sure-handed plotting and leisurely grace of Allende's first—and best—book, The House of the Spirits (1985). When little Eva Luna's mother dies, the imaginative child is hired out to a string of eccentric families. During one of her periodic bouts of rebellion, she runs away and makes friends with Huberto Naranjo, a slick little street-kid. Years later, when she's in another bind, he finds her a place to stay in the red-light district—with a cheerful madame, La Senora, whose best friend is Melesio, a transvestite cabaret star. Everything's cozy until a new police sergeant takes over the district and disrupts the accepted system of corruption. Melesio drafts a protesting petition and is packed off to prison, and Eva's out on the street. She meets Riad Halabi, a kind Arab merchant with a cleft lip, who takes pity on her and whisks her away to the backwater village of Agua Santa. There, Eva keeps her savior's sulky wife Zulema company. Zulema commits suicide after a failed extramarital romance, and the previously loyal visitors begin to whisper about the relationship between Riad Halabi and Eva. So Eva departs for the capital—where she meets up with Melesio (now known as Mimi), begins an affair with Huberto Naranjo (now a famous rebel leader), and becomes casually involved in the revolutionary movement. Brimming with hothouse color, amply displayed in Allende's mellifluous prose, but the riot of character and incident here is surface effect; and the action—the mishaps of Eva—is toothless and vague. Lively entertainment, then, with little resonance.

Pub Date: Oct. 21, 1988

ISBN: 0241951658

Page Count: -

Publisher: N/A

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Sept. 15, 1988

Categories:
Next book

BOYS OF ALABAMA

A NOVEL

A magical, deeply felt novel that breathes new life into an old genre.

A German teenager whose family moves to Alabama gets a deep-fried Southern gothic education.

Max is gifted, but if you’re thinking “honors student,” think again. He touches dead animals or withered plants and they return to life; whether his power (or curse, as Max thinks of it) works on dead people is part of the story’s suspense. The curse comes with pitfalls: Migraines besiege him after his resurrections, and he craves gobs of sugar. This insightful novel isn’t a fantasy, and Hudson treats Max’s gift as quite real. In addition, Hudson, an Alabama native, memorably evokes her home state, both its beauty and its warped rituals. Max’s father is an engineer, and the car company where he works has transferred him to a factory in Alabama; Max’s parents hope living there will give him a clean break from his troubled love for his dead classmate, Nils. Max is drawn to Pan, a witchy gay boy who wears dresses and believes in auras and incantations. Pan is the only person who knows about Max’s power. But Max also becomes enchanted with the Judge, a classmate's powerful father who’s running for governor and is vociferous about his astringent faith in Christ after an earlier life of sin (it's hard to read the novel and not think of Judge Roy Moore, who ran for U.S. Senate from Alabama, as the Judge’s real-life analogue). The Judge has plans for Max, who feels torn between his love for outcast Pan and the feeling of belonging the Judge provides. But that belonging has clear costs; the Judge likes to test potential believers by dosing them with poison. The real believers survive. Hudson invokes the tropes of Alabama to powerful effect: the bizarre fundamentalism; the religion of football; the cultlike unification of church and state. The tropes run the risk of feeling hackneyed, but this is Southern gothic territory, after all. Hudson brings something new to that terrain: an overt depiction of queer desire, welcome because writers such as Capote’s and McCullers’ depictions of queerness were so occluded.

A magical, deeply felt novel that breathes new life into an old genre.

Pub Date: May 19, 2020

ISBN: 978-1-63149-629-5

Page Count: 272

Publisher: Liveright/Norton

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

Close Quickview