A fun, escapist tale that offers a positive moral.
A middle-grade novel set in a magical land of talking animals and sweet confections.
The O’Rileys’ debut begins on a sad note: Betsy, the Master Sweet Smith of the Lemon Meringue Islands, has just passed away, and the magic pancake pan is about to name her replacement. When the stalwart, unflappable mouse Desdemona learns that the replacement is one Boomish K. Sullivan, she undertakes a journey to track him down. At first, she mistakenly believes him to be the headmaster of Dismal Manor, an orphanage in Briarberry. It turns out that Boomish, a cat, is one of the orphans, and his antics regularly get him and his friends into trouble. On the journey back to the Lemon Meringue Islands, Desdemona attempts to teach Boomish about his new responsibilities, but the cat has a bad habit of not listening. After he gets their ship stuck on a rocky crag in the middle of the ocean, they’re forced to stop at the town of Heckler’s Hunch, where Boomish’s behavior leads to his losing the irreplaceable magic pancake pan to Blackpaw the pirate. Boomish will need to learn to put others before himself in order to recover the pan and save the Lemon Meringue Islands. This lighthearted adventure moves swiftly along, and readers will likely identify with the fun, imperfect Boomish, whose habit of making up words (“An injustimous has happened to our friend that must be justimicated”) adds to the levity. Black-and-white illustrations help bring the anthropomorphized animals and their funny circumstances to life. Overall, the book is suitable for independent readers or as a read-aloud for younger listeners.
A fun, escapist tale that offers a positive moral.Pub Date: May 19, 2014
ISBN: 978-1493502028
Page Count: 196
Publisher: CreateSpace
Review Posted Online: June 19, 2014
Kirkus Reviews Issue: July 15, 2014
Review Program: Kirkus Indie
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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