Respectful, playful, and often entertaining—though just as often puzzling. Barker’s fans will enjoy the outing, forgiving...
A headily curry-scented tale, part fable and part imaginative biography, by postmodern maven Barker (In The Approaches, 2014, etc.).
Devotees of Indian religious thought will know at least the name of Sri Ramakrishna, the 19th-century guru who was deeply influential in the spread of Vedanta and other expressions of modern theistic Hinduism. He is perhaps less well known as the illiterate keeper of a temple to Kali who was as devoted to its benefactor, the widow Rani, as to the goddess. Barker calls her lively reconstruction of this episode “a painstakingly constructed, slightly mischievous, and occasionally provocative/chaotic mosaic.” That’s about right, though the chaotic parts deserve underscoring, especially when they involve such odd turns as an anachronistic point of view delivered by a camera fitted to a certain bird, which in turn yields a couple of Python-esque moments; catch one and see, Barker counsels: “This shouldn’t be too difficult because the pre–1855 Indian swift is quite silly and highly accident-prone….” Why the ploy? Kali only knows. Her name lies hidden in the very title of the book, though the actual cabbage kin has a role, too, as does the Bengali city of Kolkata, which means “field of Kali,” where such a vegetable might be grown. Suspend disbelief while you’re catching the bird, and suspend the ordinary expectations of plot development; still, this is no postmodern, attention-deficit-begging exercise in the manner of a Danielewski or Kristeva but instead a more straightforward if still idiosyncratic story that evokes Eleanor Catton and even William Vollmann at points. In the end, that story centers on how faith works and religious communities and traditions are formed, sometimes, it seems, accidentally as much as by design: “The Brahmini has a very controlling manner and is of strong opinions, and after only a very short acquaintance with Uncle she became convinced that Uncle was an incarnation of God.”
Respectful, playful, and often entertaining—though just as often puzzling. Barker’s fans will enjoy the outing, forgiving her quirks.Pub Date: Aug. 9, 2016
ISBN: 978-1-62779-719-1
Page Count: 320
Publisher: Henry Holt
Review Posted Online: May 16, 2016
Kirkus Reviews Issue: June 1, 2016
A mother and her child-prodigy daughter struggle to survive the Holocaust by telling stories and remembering the power of...
Rosner’s debut novel is a World War II story with a Room-like twist, one that also deftly examines the ways in which art and imagination can sustain us.
Five-year-old Shira is a prodigy. She hears entire musical passages in her head, which “take shape and pulse through her, quiet at first, then building in intensity and growing louder.” But making sounds is something Shira is not permitted to do. She and her mother, Róża, are Jews who are hiding in a barn in German-occupied Poland. Soldiers have shot Róża’s husband and dragged her parents away, and after a narrow escape, mother and daughter cower in a hayloft day and night, relying on the farmer and his wife to keep them safe from neighbors and passing patrols. The wife sneaks Shira outside for fresh air; the husband visits Róża late at night in the hayloft to exact his price. To keep Shira occupied and quiet the rest of the time, Róża spins tales of a little girl and a yellow bird in an enchanted but silent garden menaced by giants; only the bird is allowed to sing. But when Róża is offered a chance to hide Shira in an orphanage, she must weigh her daughter’s safety against her desire to keep the girl close. Rosner builds the tension as the novel progresses, wisely moving the action out of the barn before the premise grows tired or repetitive. This is a Holocaust novel, but it’s also an effective work of suspense, and Rosner’s understanding of how art plays a role in our lives, even at the worst of times, is impressive.
A mother and her child-prodigy daughter struggle to survive the Holocaust by telling stories and remembering the power of music.Pub Date: March 3, 2020
ISBN: 978-1-250-17977-7
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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