Lyrical reminiscences of a footloose journey from Yugoslavia to India, undertaken 40 years ago by the then-25-year-old author of the enchanting The Japanese Chronicles (1992) and an equally young companion. Traveling in a distinctly fractious Fiat, the two friends, appealingly optimistic and resourceful, make their way ``on the cheap,'' settling in at peasant inns, earning their expenses by writing articles, delivering lectures, and organizing exhibitions. Perhaps because of their winning ways, they attract a colorful band of cohorts as they wend their way eastward—beggars and brigands, muezzins and Marxists. In recounting his adventures, Bouvier frequently provides thought-provoking insights: At one point, discussing the shortcomings of US humanitarian aid programs, he observes that ``practicing charity demands endless tact and humility''—qualities he finds lacking even in well-intentioned Americans; later, he points out that, ``like a mirror, an intelligent face is the same age as what it reflects.'' Wherever he travels, Bouvier displays an artist's eye for the image-conjuring detail: a moustache ``like a furled umbrella''; a Tabriz cinema in which the projectionist, eager to get home, speeds up his machine until ``the story would take on a disturbing pace: caresses looked like slaps, ermine-clad empresses hurtled downstairs.'' Throughout, Robyn Marsack's translation from the French is a model of lucidity and smoothness, capturing the author's unique blend of humanity and humor, and, as a bonus, there's a gracefully appreciative introduction by travel-writer Patrick Leigh Fermor. Travel writing to be cherished and reread.
Pub Date: April 10, 1993
ISBN: 0-910395-86-1
Page Count: 309
Publisher: Northwestern Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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