adapted by Nicolas Randall ; illustrated by Miguel Calero ; Luis Diaz ; developed by Touch of Classic ‧ RELEASE DATE: Oct. 9, 2013
Does it soar? Occasionally it floats but not with flying colors.
This take on J.M. Barrie’s classic has a few navigational challenges and isn’t going to win any awards for being exceptionally artistic or innovative. But it’s pretty good for free.
Since the story needs no introduction or explanation, the best place to begin is with what’s good about this offering from Spain. The narrator is easy on the ears, and the flow is solid, though the adapted text has little magic. Some interactions are fairly noteworthy: Readers can twirl the topographic Earth while the children fly and help Peter find his shadow. Many of the pages cannot be advanced until a puzzle is solved—help Peter hide from Mrs. Darling, for example, or help Tinkerbell give the Darling children pixie dust so they can fly. The biggest plus here is that the characters are loosely based on designs created by children from ages 5 to 16. But there are a few substantial glitches too. Narration isn’t optional, and there’s no explanation on what the fairy box at the top of the screen means (or how it’s populated.) On the “paper doll” screen, where readers must dress Tinkerbell in a complete outfit before turning the page, she looks like a zombie/hoochie hybrid, which is a little disturbing. In fact, the bug eyes and rictuslike smiles that prevail throughout are pretty unpleasant from an aesthetic standpoint.
Does it soar? Occasionally it floats but not with flying colors. (iPad storybook app. 3-6)Pub Date: Oct. 9, 2013
ISBN: N/A
Page Count: -
Publisher: Media Minds
Review Posted Online: Dec. 6, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2016
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)
Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.
The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4631-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Oct. 11, 2016
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