by Nicole Asherah ‧ RELEASE DATE: March 14, 2022
A compassionate and accessible poetry cycle about loving oneself in the aftermath of violation.
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An intimate collection of poems traces a painful journey from trauma to healing to love.
In the Q&A section at the end of this volume, Asherah reveals that the preceding cycle of poems was written in response to a sexual assault that triggered memories of childhood trauma. The resulting poetry eschews graphic depictions of harrowing events in favor of gentle exploration of the resulting sadness, grief, and mistrust that the speaker experienced. “What if you are only ever to be yourself in pieces?” is the question that launches her path toward recovery. This journey is divided into four sections, each composed of short, mostly untitled poems. “The Shattering” confronts “The broken pieces / Scraping at my open heart.” This section also addresses methods of survival: “And I can deal with individual losses, / I learned to never put all my weight on one leg.” “The Healing” similarly focuses on the symbiosis of damage and recovery: “Sometimes the heaviness is there / To keep you from floating a w a y.” One of the few titled works, “A Woman’s Bones Are of the Earth,” effectively grounds the entire collection in women’s lived experience: “If we did not learn how to tend to wounds / We would never have been able to survive.” The third section, “Light Shines Through,” is a fierce affirmation of life, as the speaker proclaims, “I’ve broken into my version of a masterpiece,” and describes other people as “an explosion of renewable fuel.” The last section, “Loving,” is a celebration of the heady and excruciating passions of a newfound romantic love. In showing how her speaker was profoundly moved by a relationship with another woman, Asherah is both an articulate romantic (“No one had ever held such curiosity / For the small ponderings in my head”) and a skillful dissector of feelings: “I don’t even know if it’s her I want, / Or just the feelings she brought out in me.” It’s the poet’s refusal to simplify the contradictory web of human existence that gives this book its power.
A compassionate and accessible poetry cycle about loving oneself in the aftermath of violation.Pub Date: March 14, 2022
ISBN: 979-8-9851871-0-6
Page Count: 150
Publisher: Woven Ember Press
Review Posted Online: Feb. 2, 2022
Kirkus Reviews Issue: March 15, 2022
Review Program: Kirkus Indie
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by Tiffany Haddish ‧ RELEASE DATE: May 7, 2024
A frank, fierce, and heartfelt memoir.
In her long-awaited second book, the award-winning comedian chronicles the personal challenges that have made her “more alive, more human, and…more interesting.”
As Haddish, author of The Last Black Unicorn, recounts, her Eritrean-born father left the family when she was 4. Several years later, her mother, diagnosed with head injury–induced schizophrenia, began beating her out of frustration. In foster care by age 13, Haddish eventually became the “cute homeless” girl who lived in her car. Yet she still managed to find unexpected (and sometimes wildly surreal) comedy in almost everything. For example, she recalls how her Jehovah’s Witness mother would tell stories about “enzymes” boys carried that would “eat your face up” after kissing, which Haddish innocently repeated to more sex-savvy friends. When her father suddenly reappeared in her life, the author remembers how she celebrated their tender moment of telephone reconnection by crying into “some marijuana plants I had growing on my kitchen windowsill.” A recurring topic throughout the book is sexuality, which Haddish discusses in refreshingly unfettered ways. When, for example, she started taking Paxil (an antidepressant) in her 20s, she experienced severe vaginal chafing. With the trademark outrageousness that met with rejection from establishment comedy shows like Saturday Night Live, she remarks, “Do you know how hard it is to walk fast when your coochie is dry?” Nothing is sacred nor forbidden as she jokes about the joys of “riding that D” with fat men and her grandmother’s advice to keep a man: “You gonna have to kiss that banana every day.” Featuring liberal use of slang and profanity, Haddish's book showcases not only her ability to transform the “shit” of tragedy into the “fertilizer” that “makes you grow,” but also her relentless, utterly courageous pursuit of joy.
A frank, fierce, and heartfelt memoir.Pub Date: May 7, 2024
ISBN: 9781635769531
Page Count: 248
Publisher: Diversion Books
Review Posted Online: May 23, 2024
Kirkus Reviews Issue: July 1, 2024
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by Tiffany Haddish & Jerdine Nolen ; illustrated by Jessica Gibson
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by Jean-Francois Marmion ; translated by Liesl Schillinger ‧ RELEASE DATE: Oct. 6, 2020
A smart collection of articles and interviews on stupidity.
Are people getting dumber, or does it just look that way?
That question underlies this collection of essays by and interviews with psychologists, neurologists, philosophers, and other well-credentialed intellectuals. A handful of contributors have ties to North American universities—Dan Ariely, Alison Gopnik, and Daniel Kahneman among them—but most live in France, and their views have a Gallic flavor: blunt, opinionated, and tolerant of terms in disfavor in the U.S., including, as translated from the French by Schillinger, moron, idiot, and imbecile. Marmion, a France-based psychologist, sets the tone by rebutting the idea that we live in a “golden age of idiocy”: “As far back as the written record extends, the greatest minds of their ages believed this to be the case.” Nonetheless, today’s follies differ in two ways from those of the past. One is that the stakes are higher: “The novelty of the contemporary era is that it would take only one idiot with a red button to eradicate all stupidity, and the whole world with it. An idiot elected by sheep who were only too proud to choose their slaughterer.” The other is that—owing partly to social media—human follies are more visible, whether they involve UFO sightings or “some jerk pressing the elevator button like a maniac when it’s already been pressed.” Social psychologist Ewa Drozda-Senkowska distinguishes between ignorance and stupidity, noting that “stupidity, true stupidity, is the hallmark of a frightening intellectual complacency that leaves absolutely no room for doubt.” Other experts consider whether stupidity has an evolutionary basis, how it erodes morale, and the “very particular kind of adult stupidity” exemplified by Donald Trump. Although not a self-help guide, this book suggests that it rarely pays to argue with blockheads. Unfortunately, notes neuropsychologist Sebastian Dieguez, the “imbecile…doesn’t have the mental resources that would permit him to perceive his own imbecility.”
A smart collection of articles and interviews on stupidity.Pub Date: Oct. 6, 2020
ISBN: 978-0-14-313499-2
Page Count: 384
Publisher: Penguin
Review Posted Online: July 22, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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