An uneven debut fantasy, but its intriguing setting and well-developed characters show promise.
In Hewitt’s debut YA fantasy novel, a young woman—part human, part elf—joins a group of mages and warriors in the hope of learning how to use her own magic.
The novel gets into the action on its very first page, when a killer swings a sword at protagonist Sylvia, causing her father, the king of Larenta, to sacrifice himself to rescue her. Sometime after her father’s death, she resurfaces at a country inn with a lot of baggage. She encounters a mage named Gavren traveling with his apprentice, Kyra, and Derik, their warrior companion. They ask Sylvia to join them on their journey, hoping they can find someone to heal the traces of “shadow” left behind from the altercation that killed her father. Sylvia’s reluctant to join them, for good reason: She’s half-elf, with a strain of fairy-elf magic in her blood. The magic is powerful and uncontrollable, and she feels she must keep it from any magic users who might seek to manipulate her. The mage’s party manages to convince her to come along, but Gavren soon proves himself untrustworthy when he takes Sylvia’s box, a magical item left to her by her late mother. During their journey, however, Sylvia forms a grudging, mutual understanding with Gavren and Kyra, and quickly falls in love with Derik, who shares her romantic feelings. As a group, they encounter orcs, soldiers and dragons, some helpful and some harmful, and learn more about Sylvia’s importance in a changing world. Much of the book centers on Sylvia’s growing relationship with Derik and her struggles with intimacy; after her father was killed, Sylvia was at the mercy of a group of soldiers, a fact that haunts her throughout the book. The mage Gavren shows the greatest depth; he manages to be a good guy while also resorting to trickery to learn Sylvia’s secrets. The prose is often awkward, however, relying on repetition and declarations of emotion (“[H]e was so taken by the beautiful woman he was made oblivious to what was happening”), and it may sometimes be hard for readers to follow how one event leads to the next. That said, there’s much to be admired in this book; the fantasy setting leaves a lot to be explored in future installments, and Sylvia’s role within it promises great drama.
An uneven debut fantasy, but its intriguing setting and well-developed characters show promise.Pub Date: June 18, 2013
ISBN: 978-1475990300
Page Count: 294
Publisher: iUniverse
Review Posted Online: April 3, 2014
Review Program: Kirkus Indie
Occasionally brilliant but ultimately unsatisfying.
The author of The Heavens (2019) imagines a world inhabited solely by women.
At 7:14 p.m. Pacific time on Aug. 26, every human being with a Y chromosome disappeared. Jane Pearson wakes the next morning to discover that her husband and young son are gone. Later, she will learn that all the men, all the boys, all the transgender women…they’re all gone. This is not a new concept. Philip Wylie’s The Disappearance (1951) opens with these lines: “The female of the species vanished on the afternoon of the second Tuesday of February at four minutes and fifty-two seconds past four o’clock, Eastern Standard Time.” In Brian K. Vaughan’s Y: The Last Man series of graphic novels—the first installment published in 2002—a virus kills every man on Earth except for one. A deadly illness that strikes only men also plays a role in Christina Sweeney-Baird’s debut novel, The End of Men, published just last year. What makes Newman’s take on this SF trope different is that this novel doesn’t seem to want to be science fiction. After setting the dystopian narrative in motion, the author pulls back to offer a detailed account of Jane’s life up to this point. After joining a dance troupe as a teen, she falls under the control of a man who abuses her by compelling her to abuse other, younger kids. She escapes jail by testifying against her abuser. This is a horrifying story compellingly told, but it feels like it belongs in a different book. We also get the full history of Evangelyne Moreau, Jane’s one-time friend. A philosopher-turned-politician, an ex-convict, and a former cult member, Evangelyne is a fascinating character, but Newman spends more time sharing Evangelyne’s history than exploring the strange universe she has created. By the last page, the connection between the realistic and speculative parts of the novel is clear, but the speculative elements feel woefully underdeveloped—which is too bad, because they’re inventive and chilling. Also worth noting: There will be readers who object to the gender essentialism upon which this novel relies and the way Newman handles the fate of people who aren’t cisgender when the “men” disappear.
Occasionally brilliant but ultimately unsatisfying.Pub Date: June 14, 2022
ISBN: 978-0-8021-5966-3
Page Count: 272
Publisher: Grove
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
A whirlwind journey that opens doors into other worlds but also into the heart of the human experience.
A debut novel about a bookseller who discovers the real power of books—if they’re magic.
When an elderly customer dies at Manhattan’s Kellner Books, Cassie Andrews finds herself in an inexplicable situation. In Mr. John Webber’s possession is a small, leather-bound book in a language Cassie doesn’t recognize. There are a few lines in English: “This is the Book of Doors. Hold it in your hand, and any door is every door.” And then: “Cassie, This book is for you, a gift in thanks for your kindness.” Cassie shows the book to her roommate, Izzy, who’s wary. And yet, when Cassie thinks of a door she once saw on vacation in Venice, that door opens for her. Naturally, there are people who want this powerful book, and soon enough the underworld of rare book collectors is buzzing. Drummond Fox, known as the Librarian, happens upon Cassie using the Book of Doors, thanks to his own Book of Luck. But while Drummond seeks to protect books like Cassie’s, there are others—notably, someone known only as “the woman”—who seek to use them for evil. Drummond is eager to show Cassie the danger she’s in by revealing the full potential of the Book of Doors: “You can open a door to the past….That’s why people will want your book.” What follows is a multilayered exploration of how the book can influence past, present, and future, and how individual choices can have unimaginable rippling effects. Fans of books like Mr. Penumbra’s 24-Hour Bookstore will love this world, though by the end Brown has moved from his initial focus on magical books toward a case study of the rules of time travel. One unexpected aspect is the gory depiction of torture at the hands of “the woman” and the books she possesses. These scenes are jarringly at odds with the initial tone of wonderment, but if you stick with it, you’ll reach a conclusion that’s both disorienting and deeply satisfying.
A whirlwind journey that opens doors into other worlds but also into the heart of the human experience.Pub Date: Feb. 13, 2024
ISBN: 9780063323988
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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