Readers will eagerly await the next installment in this promising paranormal adventure.
This first book of a planned trilogy finds 16-year-old Alessia Jacobs living in boring Twin Willows, Maine, where nothing ever happens—that is, until the mysterious Wolfe family arrives in town and Alessia’s instantly drawn to their attractive son, Jonah.
Days later, after encountering Jonah again at school, Alessia’s confused by visions of becoming a falcon. She’ll soon discover these visions are real: She’s a member of the Benandanti, an ancient group of warriors who can separate their souls from their bodies and transform into powerful animals, something they’ll rely on to keep potent magic from falling into the hands of the conscienceless Malandanti, foes with similar shape-shifting talents. Deciding whether to accept the Call, Alessia weighs typical teen impulses like wanting to spend time with heartthrob Jonah against the responsibilities Benandanti membership requires. Maggi’s pacing is quick, and her imaginative prose (with its ear for dialogue) supports a cast of characters, including Alessia’s fiercely protective Italian mother, Lidia. All elements combine to create a nicely textured real world where a surreal battle’s set to take place. Intriguing questions set the stage for the sequel: Did Alessia’s father’s death have anything to do with the paranormal world Alessia finds herself in? How much does Lidia know, and will she play a part in the unfolding drama? Will Jonah and his hard-to-read twin, Bree, be friends or foes in the coming battle?
Readers will eagerly await the next installment in this promising paranormal adventure. (Paranormal adventure. 12-16)Pub Date: Dec. 16, 2014
ISBN: 978-1-60542-683-9
Page Count: 316
Publisher: Medallion Press
Review Posted Online: Oct. 5, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Fast-moving and intriguing though inconsistent on multiple fronts.
Kids endure rigorous competition aboard a spaceship.
When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.
Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)Pub Date: Sept. 12, 2017
ISBN: 978-0-399-55679-1
Page Count: 384
Publisher: Crown
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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