Rubel (Wedding Bells for Rotten Ralph, 1999, etc.) takes a piece of Americana and extrapolates a spry tale of a spirited Irish lady in frontier Texas. Ernestine is a mail-order bride beckoned from Ireland to marry Virgil Beetle. Her spirits sink when Virgil turns out to be a filthy rapscallion who lives on a ranch—a stinky, ramshackle place—with his three brothers and sister-in-law Prunella. With the preacher out of town, the wedding is stalled for a week. Meanwhile, nasty Prunella treats Ernestine as the housemaid and makes her sleep in the barn. Ernestine thinks, “I’ve seen neater pigs and more courteous donkeys than this family.” Dressed as a man, Ernestine escapes out the back to wander the prairies. There she is discovered by Texas Teeth, a jovial cowboy with pearly whites. Believing she’s a man named Ernest T., Texas Teeth and his gang teach Ernestine to herd and rope. When her wages aren’t enough to get her back to Ireland, Ernestine signs up for a calf-roping contest to earn the rest, but a nasty trick is played, and she finds herself bull-riding instead. This dastardly deed serves to reveal Ernestine’s mane of red hair and her real gender. Not such a bad thing, it turns out, for the story ends with Ernestine in a wedding dress after all. Rubel’s illustrations tell half the story with a brightly colored palate, rosy-cheeked characters, and intricately detailed surroundings. In fact, sharp-eyed readers will enjoy finding little animals in the scenery and an armadillo on every page. This tale is a treat all the way around. (Picture book. 4-8)
Pub Date: March 1, 2001
ISBN: 0-8037-2152-8
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
