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MOSCOW NIGHTS

THE VAN CLIBURN STORY—HOW ONE MAN AND HIS PIANO TRANSFORMED THE COLD WAR

Sweeping history combines with a sensitive rendering of Cliburn’s extraordinary passion.

The glorious career of the Texan pianist who captured Russian hearts during the Cold War era.

When he was 3 years old, Van Cliburn (1934-2013) told his mother, a piano teacher, that he wanted lessons; at 4, he gave his first concert, at a local college; at 5, he declared he was going to be a concert pianist, like Rachmaninoff. Cliburn exceeded that dream: in 1958, at 23, he won first prize in Russia’s first International Tchaikovsky Piano Competition, a feat that catapulted him to rock-star celebrity. Beloved by Russians, Khrushchev included, and by his own countrymen, Cliburn seemed a balm to Cold War hostilities. Biographer, translator, and journalist Cliff (The Last Crusade: The Epic Voyages of Vasco Da Gama, 2012, etc.), former film and theater critic for the London Times, faces two challenges in his rousing, well-researched biography: the first, ably met, is to convey Cliburn’s astonishing talent and sound; he was “ecstatically lyrical, thrillingly Romantic, and symphonic in scale.” The second challenge, not as fully achieved, is to create an intimate portrait of a man who rebuffed probing questions and carefully honed stories he—and his ever hovering mother— told interviewers and biographers. He was the shy, God-fearing, gangly boy from Texas, warm, effusive, and modest. “When fans told him he had changed their lives, he was genuinely amazed,” writes Cliff. “When public figures extolled him as a hero, he all but scoffed.” But if he did not believe his own legend, still that legend became his public image: “His friends adored him, protected him, smiled at his foibles, and spoke of him with a warm glow—but few felt they really knew him.” Cliff reveals Cliburn’s interest in astrology and the occult; the scandal that resulted when his male companion sued for palimony and lost; and his nine-year retirement, a response to the pressures of fame. Throughout, the author vividly reprises major historical events: Sputnik, Khrushchev’s blustering speeches, the Berlin Wall, Maoist oppression, and Nixon’s visit to China.

Sweeping history combines with a sensitive rendering of Cliburn’s extraordinary passion.

Pub Date: Sept. 20, 2016

ISBN: 978-0-06-233316-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: June 29, 2016

Kirkus Reviews Issue: July 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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