Next book

SONGS ON BRONZE

THE GREEK MYTHS MADE REAL

A version better suited to young adult readers suckled on lots of telly.

The classic Greek tales retold as smoldering, campy romance.

Attempting to “visualize how legends were formed,” Spivey (Classics/Cambridge Univ.; The Ancient Olympics, 2004, etc.) offers a glimpse of the ancient Greek characters straight out of Central Casting. He eschews the decorous depictions of Homer and stately comeliness of Ovid’s shape-shifters in favor of a skirt-hitching Eurydice and cleavage-spilling Hera who jump off the page and into the reader’s lap. The author picks and chooses from the mythological repertoire. From myths of the “early childhood of the world,” marked by the chaos and violence of Kronos and Gaia’s family drama, he moves to Hades’ snatching of radiant Persephone while mother Demeter mourns. Then it’s on to the great deeds of cracking action-figures Herakles, Theseus, Perseus, Jason and the Argonauts, followed by the judgment of languorous shepherd Paris that precipitates the Trojan War. After an abbreviated account of the travels and hard-won homecoming of Odysseus, it all concludes spiffily with a wrap-up of the ghastly turn of the House of Atreus. Spivey takes tensely dramatic moments and renders them in laughable dialogue: When good-natured goon Herakles strides through the brambles on his way to tackling the Nemean lion, he notes, “I don’t want any scratches”; after the sacking of Troy, Helen remarks to her waylaid husband Menelaus, hammering away at her chains, “I didn’t know you cared—so much.” Considering the alluring outfit of each of the three goddesses who vie for his favor—Athena clad in high-heeled hunting boots and “little else except for a military-style corselet”—Paris enjoys a Harlequin moment: “Aphrodite let the tip of her tongue flicker over his earlobe. Paris shuddered. He knew what desire was.” Entertaining stuff, granted, but is it necessary to so raucously redraft the ancient tales rather than direct readers back to the reliable original singers?

A version better suited to young adult readers suckled on lots of telly.

Pub Date: June 8, 2005

ISBN: 0-374-26663-8

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2005

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview