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CAN'T IS NOT AN OPTION

MY AMERICAN STORY

If you’re a fellow traveler, this is your book. If not, you likely won’t pick it up.

South Carolina’s governor stakes out her red-blooded American credentials in a by-the-numbers memoir.

Haley, as was reported back when she briefly made the news, was born Randhawa, the child of Punjabi immigrants. Since her father wore a turban and her kin looked different from the other denizens of the Piedmont, she suffered all the expected abuse and racism of the time and place. Apparently she never considered the political leanings of her tormentors in that redder-than-red state, though, because she jumped into GOP politics once she had the self-described epiphany that people listened to her when she talked. Perhaps that affiliation was merely the product of some perceived sense of loyalty, for the sense we get is that Randhawa/Haley has long gone along to get along: “I got a scholarship to go to Clemson to study textile management. Cotton, wool, and silk weren’t really my areas of interest, but I thought, Fine, I’ll do it. I just wanted to go to Clemson.” Haley’s approach to politicking is homespun and commonsensical: Ply the audience with Krispy Kremes, win over legislators by doing small favors, profess to love “the people.” On the personal front, she allows that she doesn’t watch TV or read newspapers at home so that her children aren’t exposed to the meanness of politics (so much for education). There’s scarcely a moment that approaches originality in these pages. Every note seems scripted, including her protestations that it’s Washington that keeps her from doing her job: Obama bad, Reagan good, etc. Haley’s prose rises above a monotonous whisper only when she gets on the subject of the Tea Party: “That’s what I love most about the Tea Party. It’s drawing the line on government arrogance and overspending with the taxpayers’ money.”

If you’re a fellow traveler, this is your book. If not, you likely won’t pick it up.

Pub Date: April 3, 2012

ISBN: 978-1-59523-085-0

Page Count: 250

Publisher: Sentinel

Review Posted Online: Dec. 12, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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