by Nina Laden ; illustrated by Melissa Castrillón ‧ RELEASE DATE: Jan. 23, 2018
A gentle story of calm courage and of quiet, trusting perseverance that will comfort readers in their anxious times.
A white child and a giraffe encounter danger and adventure in a small boat on the high seas.
A small child and a giraffe set off in a “kayak” (although the illustrations show the boat as a plank-framed, double-ended craft rather than what readers may think of as a kayak) for an unspecified destination, but readers get the idea that it’s meant to be merely a day trip. Then a sudden squall appears. The waves build, the paddle is lost, night descends, and the child and the giraffe snuggle together. Morning brings help in the arrival of sea creatures who return the paddle (and the child’s lost hat), but another crisis seems imminent when huge whales surround the little boat; however, the whales turn out to be rescuers, gently prodding the boat toward shore. Author Laden’s theme of calm courage, perseverance, and trust in the face of unforeseen difficulties is presented in an evocative, spare, rhyming format of four simple two-word lines per scene. Illustrator Castrillon’s decorative, full-of-heart illustrations (done in pencil with digital colorization) are well-matched to the text: their stylized imagery, muted colors on off-white paper, and occasional deliberate off-registration give them an antique chromolithography look that enhances the tale’s nostalgic, timeless feel.
A gentle story of calm courage and of quiet, trusting perseverance that will comfort readers in their anxious times. (Picture book. 3-8)Pub Date: Jan. 23, 2018
ISBN: 978-1-5344-0194-5
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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by James Luna & illustrated by Laura Lacámara & translated by Carolina Villarroel ‧ RELEASE DATE: Nov. 30, 2010
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by James Luna ; illustrated by Monica Barela-di Bisceglie ; translated by Gabriela Baeza Ventura
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edited by Kurt Schweigman Lucille Lang Day introduction by James Luna
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: July 2, 2019
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
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New York Times Bestseller
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All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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