A luminous, heartbreaking symphony of wit, wisdom, pain, parenting, and perseverance against insurmountable odds.
A loving mother of two meditates on the nature of life and death.
When poet Riggs’ (Lucky, Lucky, 2009) diagnosis of breast cancer suddenly became terminal at age 38, her view of all living things narrowed to her two sons, her strong yet fearful husband, John, and the memory of her mother, who died just months before. The author entered the fray with her doctor’s grim announcement of “one small spot” on her breast and began years of treatment for a cancerous lesion that seemed initially manageable, spread, and eventually claimed her life just this year. As breast cancer permeates her family history—even her paternal grandfather underwent a radical mastectomy in the 1970s—Riggs wasn’t completely shocked by her diagnosis, but it took time for the reality of illness to sink in, as well as the development that one of her young sons was diabetic. The author generously shares memories of her romance with John, their life together in Paris, and familial anecdotes that oscillate between tender and bittersweet. The author writes with a seamless flow and an honest, heartfelt tone; the narrative often glides into passages of gorgeous, rhythmic prose leaving no doubt about Riggs’ immense talent for poetic language. She also retains a dry, witty sense of humor throughout despite the sadness of enduring chemotherapy and its side effects, navigating advanced medical and legal directives, a mastectomy, and an incremental decline in her health. She was buoyed, however, by starting a personal cancer chronicle blog called Suspicious Country and by the words of Michel de Montaigne and Annie Dillard. Though the aggressive cancer hijacked her physically and psychologically, Riggs’ indefatigable spirit is the true heroine in this story of life and loss; even in her darkest moments, she writes, “the beautiful, vibrant, living world goes on.”
A luminous, heartbreaking symphony of wit, wisdom, pain, parenting, and perseverance against insurmountable odds.Pub Date: June 6, 2017
ISBN: 978-1-5011-6935-9
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: April 9, 2017
Kirkus Reviews Issue: May 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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