Sure to be a favorite no matter what season readers are welcoming.
A cyclical dream of seasons to come.
Originally written in Norwegian, this story in verse follows the four seasons as they each in turn emerge from their slumber to change the landscape of a village and a nearby field with an apple tree. With each passing season, a different child is depicted nestled into the larger landscape asleep. As the year progresses, a pair of young children with pale skin and straight dark hair play and interact with the tree, but the real stars of the book are the seasons, each emerging with a vibrant design from various locations near the tree. Spring, a pale young boy with grassy hair, slumbers underground, emerging to dance around the town, a cloud of pollen surrounding him. Summer, a dark-skinned girl with hair made up of multicolored daisies, swings with joy after awakening in a flower bud. After snoozing inside an apple, a middle-aged, pale-skinned Autumn trails falling leaves from her flowing mane of auburn locks as she walks through the countryside, and an elderly, pale-skinned Winter, wrapped in coats and scarves, surveys the town after snoozing against the trunk under a toadstool. Readers of all ages will happily study the painterly illustrations for seasons to come, and the verse creates a soothing lullaby perfect for a nap at any time of the year. (This book was reviewed digitally.)
Sure to be a favorite no matter what season readers are welcoming. (Picture book. 4-8)Pub Date: Sept. 13, 2022
ISBN: 978-1-64690-023-7
Page Count: 40
Publisher: Arctis Books
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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