Sure to be a favorite no matter what season readers are welcoming.
A cyclical dream of seasons to come.
Originally written in Norwegian, this story in verse follows the four seasons as they each in turn emerge from their slumber to change the landscape of a village and a nearby field with an apple tree. With each passing season, a different child is depicted nestled into the larger landscape asleep. As the year progresses, a pair of young children with pale skin and straight dark hair play and interact with the tree, but the real stars of the book are the seasons, each emerging with a vibrant design from various locations near the tree. Spring, a pale young boy with grassy hair, slumbers underground, emerging to dance around the town, a cloud of pollen surrounding him. Summer, a dark-skinned girl with hair made up of multicolored daisies, swings with joy after awakening in a flower bud. After snoozing inside an apple, a middle-aged, pale-skinned Autumn trails falling leaves from her flowing mane of auburn locks as she walks through the countryside, and an elderly, pale-skinned Winter, wrapped in coats and scarves, surveys the town after snoozing against the trunk under a toadstool. Readers of all ages will happily study the painterly illustrations for seasons to come, and the verse creates a soothing lullaby perfect for a nap at any time of the year. (This book was reviewed digitally.)
Sure to be a favorite no matter what season readers are welcoming. (Picture book. 4-8)Pub Date: Sept. 13, 2022
ISBN: 978-1-64690-023-7
Page Count: 40
Publisher: Arctis Books
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
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SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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