Confusing but celebratory.
A story about two girls with curly/Afro-textured hair.
Best friends Preciosa and Rudine, both with brown skin and tight, vibrant curls, share this hair story. It begins with their births, both girls adored by their families. Conflict soon arrives in the form of “cyclone” hair that family members attempt to straighten. Preciosa’s and Rudine’s expressive faces, rendered in Morris’ colorful digital-and–collaged-tissue art (which excels at conveying emotion throughout the story), make it clear that hair-straightening rituals are both unpleasant and unwanted. Freedom comes in the form of heat that sets their natural hair free once more. At this point, the story may confuse readers with scenes (of the girls, of their moms, of famous Black and Latinx people) that aren’t always connected. Ultimately, this well-intentioned story leaves some important questions unanswered, but it also affirms the beauty of natural hair. Despite obstacles, those looking for more stories centering hair diversity may find this a good conversation starter. Preciosa and her family all have brown skin and speak Spanish, and Rudine and her family are Black; the story is porous enough that Afro-Latinx readers might see themselves in either girl.
Confusing but celebratory. (Picture book. 4-7)Pub Date: Sept. 7, 2021
ISBN: 978-1-5415-7916-3
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
The writing isn’t stellar, but the love depicted between the titular characters sure is.
A father and his daughter share a day full of love, play, and imagination.
The pair, described as the ultimate “daddy-daughter / power-combo superhero team,” do everything together on their special day: sip morning smoothies, play basketball, splash in the rain, and even attend a protest. Readers see a father who isn’t afraid to wear his dreadlocks in a bow, attend a tea party, or pretend to be a princess. He freely follows his daughter’s lead, breaking apart misguided stereotypes of how fathers are supposed to interact with girl children. Duchess’ illustrations center a Black father—who wears a kente shirt—and daughter and include background characters who are racially diverse, including one wearing a hijab and another with skin depigmentation. The closeness and mutual admiration between dad and daughter look and feel realistic, whether it’s the way Dad gazes at his daughter thoughtfully or tucks her gently into bed. One gets the feeling that this dynamic duo is unstoppable, that they can be whomever they want to be, and that their bond is magical. The bright digital artwork buoys the sometimes-rhyming text, which, while sweet, makes for a stilted read-aloud with phrasing that is at times choppy with an uneven cadence. (This book was reviewed digitally.)
The writing isn’t stellar, but the love depicted between the titular characters sure is. (Picture book. 4-7)Pub Date: May 3, 2022
ISBN: 978-0-316-05526-0
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 24, 2022
Kirkus Reviews Issue: Feb. 15, 2022
BOOK REVIEW
A sweet and well-meaning lesson in personification and metaphor, but this picture book fails to shine.
The sun sends the world and its inhabitants warm thoughts for peace, unity, and positivity.
A smiling sun shines down on each double-page spread, just as the moon did in Storms and Pavlović’s previous book, Moon Wishes (2019). Using the refrain “if I were the sun,” the narrator describes the sun’s movement from sunrise to sunset throughout the seasons of the year. The sun is personified as a serene explorer, muse, and comforter who lovingly wakes the world with “a gentle morning song” and ends each day with peaceful rest. In between rising and setting, the sun explores “every corner of this wondrous earth.” Alas, the narrative is disappointingly disjointed—the sun flits among pages that depict African wildlife, a school of smiling fish swimming up toward the sun, and a bear fishing in a river. Looking at the world from the sun’s point of view, the narrator is better able to “delight in all our differences”—the accompanying illustration shows 11 disparate birds perched in the same tree. Meanwhile, human diversity is portrayed on other pages: Happy children—some with brown skin, others with pink skin—make snow angels; a man using a wheelchair sits at a harvest table; and an Asian-presenting man wearing a conical hat walks across marshland. Pavlović’s loose mixed-media, colored-pencil, and ink illustrations use warm colors and are as consistently uplifting as Storms’ pretty but desultory word pictures. (This book was reviewed digitally.)
A sweet and well-meaning lesson in personification and metaphor, but this picture book fails to shine. (Picture book. 4-7)Pub Date: May 3, 2022
ISBN: 978-1-77306-450-5
Page Count: 32
Publisher: Groundwood
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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