A smart and funny look at pop music from a writer who’s crazy in love with the genre.
A journalist takes a new look at the pop stars of the early 2000s.
Journalist and podcaster Princiotti isn’t ashamed of her pop-music obsession, and thinks you shouldn’t be, either. She traces her love of the genre back to 2003, when she was 9, and “Hilary Duff was the single most important person in the world to me outside my immediate family.” The subject of Princiotti’s book is the female pop stars of the early 21st century, who, she says, “expanded our understanding of what a pop star could be and forced the industry around them to take them seriously.” First among equals in this cohort is Britney Spears, who introduced young fans to “independence, agency, and self-expression” and who was the subject of misogynistic sneers from the media and “girl-on-girl crime and slut-shaming” by some of her peers. Princiotti considers the rise and fall of other pop singers, including Avril Lavigne, who claimed to have “created punk for this day and age,” and Ashlee Simpson, whose career was derailed by a disastrous Saturday Night Live performance. She also writes about the singers who maintained their star power, including Beyoncé, whose “Crazy in Love” launched her solo career, and, of course, Taylor Swift, who along with her fans and the internet “built modern fandom to be massive, persistent, and motivated.” Princiotti’s argument is that these stars never got the respect they deserved for “confronting old assumptions about genre, challenging the perception of celebrity and utilizing new technologies and the burgeoning internet to its fullest,” and she argues it very well, drawing on cultural history and journalism to prove that the singers were sui generis and not just retreads of earlier entertainers. As she convincingly asserts, the musical era was richer and deeper than some give it credit for.
A smart and funny look at pop music from a writer who’s crazy in love with the genre.Pub Date: June 17, 2025
ISBN: 9780593725085
Page Count: 240
Publisher: Ballantine
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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