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THE WORD ON WORDS

THE PLAY OF LANGUAGE

Lively, informative and thoroughly beguiling.

Awards & Accolades

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The English language gets pulled up by its roots for purposes of entertainment, enlightenment and vocabulary building in this sprightly linguistic romp.

The author, an English professor, introduces readers to some of the knottier words in the language through an approach that mixes analysis, history and lots of engaging anecdotes. His method is to seize on dusty old lexical roots, usually from Latin but also from Greek, Old English, Norse and French, and follow their branchings through the modern English words derived from them, with plenty of lore and intriguing digressions thrown in to make the pedagogy go down easy. He traces the Latin verb spectare (to watch), for example, through its many incarnations, from spectacle to expectant, while tossing in allusions to Shakespeare and Byron and an aside on the evolution of false eyes as defensive camouflage in the animal kingdom. German takes a meandering path through the lexicon, always happy to wander off on oddball excursions to, say, palindromes (“senile felines”), spoonerisms (after Rev. Spooner, who reminded one bridegroom that it’s “kisstomary to cuss the bride”), bizarre phobias (arachibutyrophobia, he says, is the fear of sticky peanut butter), lyrically named bird collectives (exaltations of larks, wisps of snipe and parliaments of owls), unsafe anagrams (rearrange mother-in-law and you get “woman Hitler”) and miscellaneous life lessons (“[n]ever use a poly-syllabic Latin word where a one-syllable Anglo-Saxon word will do”). Along the way, German defines over 1,500 big, troublesome words and reinforces reader retention with engaging exercises, including crossword puzzles and fill-in-the-blank quizzes that require one to insert the words aardvark, blasphemy, cremains, cyborg and eunuch into plausible sentences. It’s a fun read that sparkles with photographs, bright colors and crazy-quilt fonts. But this smorgasbord is still a serious textbook—readers will gain not just a store of factoids, but a sharpened ability to analyze new words and a deeper appreciation for the history and beauty of the language.

Lively, informative and thoroughly beguiling.

Pub Date: March 31, 2011

ISBN: 978-1460999769

Page Count: 128

Publisher: CreateSpace

Review Posted Online: May 19, 2011

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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