Steamy life of Madonna, who comes off both worse and better than you might expect. King (Everybody Loves Oprah!, 1987, etc.) seemingly has felt no need to go beyond scissors-and-paste in this thinnish bio, since Madonna herself in various interviews furnishes him with enough hot quotes to fuel his pages. Nor is he expert on her music. Still, we are faced here with a gifted human being whose relentlessly graphic honesty breaks conventions like so many arm bones. Raised in a strict Catholic family in Michigan, Madonna has said, ``I grew up with two images of women: The Virgin and the Whore.'' She studied dance, was told by her gay ballet teacher that she had a ``face like an ancient Roman statue,'' which gave her a fix on her beauty. Dropping her college career at Ann Arbor to accept a job with the Alvin Ailey dance troupe in New York, she then landed a soft-porn film job and did some nude modeling (photos that later surfaced in Playboy and Penthouse). Her ``Burning Up'' (sexually) video boosted her onto MTV (``Unlike the others, I'll do anything/I'm not the same, I have no shame,'' go the lyrics). Meanwhile, she apparently stepped over the bodies of those who helped her. Her biggest break came as a kooky lead in Desperately Seeking Susan, followed by a failed marriage to Sean Penn. Her role as Breathless Mahoney in Dick Tracy brought her $14 million in album sales, more than her part-time lover Warren Beatty made as Tracy. Her Truth or Dare film finds her rawly frank about sex, as does her Rolling Stone interview with Carrie Fisher: ``I don't like blow jobs. [I like] getting head.'' The story of a monstrous talent who will say anything—if it's true—and gains our sympathy for it. (Sixteen pages of b&w photographs—not seen.)
Pub Date: Dec. 16, 1991
ISBN: 0-688-10389-8
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1991
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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