A haunting novel that offers candid portraits of literary legends.
Lock’s latest novel reckons honestly with the legacies of two beloved writers.
Lock’s American Novels cycle of books has, since its inception, covered a wide amount of stylistic ground, from the surreal to the philosophical. While a few of the supporting characters in this book overlap with some of Lock’s earlier works, the bulk of it focuses on a few months in the lives of Walt Whitman and Louisa May Alcott, during a period when both were helping wounded Civil War soldiers convalesce. Through the writers’ proximity to the effects of war, Lock depicts both as grappling with their feelings on racial equality and the legacy of slavery in the United States. Each has a distinctive approach, with Alcott wondering whether her commitment to abolition is enough and the famously contradictory Whitman’s transcendentalist reveries occasionally interrupted by his use of bluntly racist language. What makes the novel, particularly its Whitman-centric first half, so gripping is the way in which Lock depicts Whitman’s inner conflict—sometimes offensive, sometimes empathic, and sometimes wounded when he’s called out for his hypocrisy. The legacy of John Brown looms over both Alcott and Whitman, offering an example of someone who turned his ideals into unambiguous actions. Lock also maintains distinctive narrative styles for each of his two narrators, with Alcott’s section memorably beginning with her calling Whitman “a shameless ass” and Whitman himself prone to more poetic reveries, as when he ponders the human cost of war: “I think there is a grand regiment of the dead, which is enlisting men and boys, white and black, from every corner of the nation.”
A haunting novel that offers candid portraits of literary legends.Pub Date: July 5, 2022
ISBN: 978-1-954276-01-7
Page Count: 288
Publisher: Bellevue Literary Press
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
PERSPECTIVES
Hokey plot, good fun.
A business executive becomes an unjustly wanted man.
Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.
Hokey plot, good fun.Pub Date: Nov. 11, 2025
ISBN: 9781538757987
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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