Macrae, former editor of the Economist and author of The 2025 Report (1985), offers an oddly jocular biography of the Hungarian mathematical prodigy who would become a highly influential cold warrior before his death in 1957—an account whose credibility is hindered by the author's unabashed reverence for his subject. One of the four Hungarian geniuses who would help introduce the Atomic Age at Los Alamos (the others were Edward Teller, Leo Szilard, and Eugene Wigner), von Neumann made his mark in Europe while barely past his teens through his contributions to a mathematical foundation for the new quantum physics. In 1930, the young, newly married mathematician emigrated to America to teach at Princeton. While von Neumann moved on in succeeding years to increasingly influential posts at the Institute for Advanced Study, the Los Alamos atom-bomb project, Teller's hydrogen-bomb program, and, finally, the freshly created Atomic Energy Commission, his agile and highly logical mind left an indelible mark on the computer revolution, games theory, economics, and, as his political clout increased, international relations. Despite the fact that the general reader is as likely to be interested in the development of von Neumann's hawkish political stance (particularly regarding the nuclear-arms race), and his odd fascination with such topics as global government and control of the weather, as in his scientific contributions, Macrae veers away from serious exploration of his subject's philosophical outlook—instead emphasizing (and applauding) the ease with which ``our Johnny'' used dirty jokes to evade emotional political debate, and ridiculing those of differing political temperament (e.g., deeming ``Bertie'' Russell and Norbert Wiener ``geniuses turned emotionally too dotty''). The effect is off-putting, and though ``Johnny's'' romp through world affairs is dutifully recounted, the private motivations of this hard-drinking, power-loving genius remain, in quintessential 50's style, drowned in nervous laughter. (B&w photos—16 pages—not seen.)
Pub Date: Aug. 1, 1992
ISBN: 0-679-41308-1
Page Count: 352
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1992
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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