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AMERICA'S LITTLE BLACK BOOK

THE BIRTH AND BIRTHRIGHT OF AMERICA’S OFFSPRING

An uneven work that addresses pressing problems facing the black community but offers debatable solutions.

Shelton addresses the continuing effects of slavery in America and calls for new leadership and new ways of thinking in his debut nonfiction book.

This work discusses the ways in which the United States government, and American society in general, failed to redress the captivity, dehumanization, and indoctrination of black people during the era of slavery. He points out how this resulted in a lingering culture of racism and inequality that can be felt in everything from the glorification of so-called “white” features and lighter skin tones in the black community to the continued failure of the American educational system to truly discuss the horrors of the slave trade. Shelton claims that “African-American” is improper nomenclature for black people today; rather, he believes that they should be referred to, and understand themselves, as “American Slaves”—a uniquely American-made oppressed people. He goes on to argue that freed slaves were never properly recognized by the U.S. government as free, nor were they properly accepted into society as equals, so their descendants are, in effect, still slaves themselves. Shelton calls for the rise of a single leader to guide the “American Slave” community to prosperity and to cease the proliferation of various other groups and leaders working at cross-purposes. He also advocates for the formation of specific support programs for these descendants, whom he urges to form new social and political blocs. Shelton’s work is in equal measure a thoughtful meditation on the lingering effects of slavery and a baffling manifesto. He effectively argues for the need for American society to address the residual effects of a shameful institution—politically, economically, and socially. But he often couples such well-reasoned points with more confusing arguments, such as that slave descendants should ignore their African ancestry entirely, or that “From a moral point of view, slaves should be declared America’s first born in the Constitution.” These ideas are sometimes difficult to parse, and they seem divisive enough to counter Shelton’s apparent goal of bringing slave descendants into a common accord.

An uneven work that addresses pressing problems facing the black community but offers debatable solutions.

Pub Date: June 1, 2005

ISBN: 978-0-9765417-1-4

Page Count: -

Publisher: American Slaves, Inc.

Review Posted Online: July 14, 2017

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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