Labari writes with candor, but she doesn’t have much to add to the communal conversation about mothers and mothering.
An autobiographical novel about motherhood by a Spanish journalist and fiction writer.
The narrator was in her 30s when she decided she wanted to become a mother. After several years and multiple rounds of IVF treatments, she achieved her goal—and found herself ambivalent about the result. She discovered, for example, that motherhood is time consuming and doesn’t leave room for much more, especially when children are very small. She struggled with breastfeeding and baby-wearing. Much of what she describes will be familiar to many mothers, as well as to anyone who has read about motherhood. The narrator doesn’t seem to have thought about motherhood until she became a mother herself, and she writes as if she is just discovering motherhood as a social construct. It’s possible that this is a matter of cultural difference—this book certainly made a splash in Spain—but American readers interested in critical takes on motherhood are unlikely to find much new here. When Labari is actually inventive, she is often bewildering. The chapter “On Horseback or In Diapers” begins with the narrator imagining a new father going to the store to buy a superhero cape and ends as a riff on Franz Kafka’s “Before the Law.” In between, she muses about whether playing with dolls as a child prepared her for being a mother. Labari spends no time developing any of these disparate parts, and there is nothing essential or revealing in their juxtaposition. In another chapter, the narrator quotes Penélope Cruz rhapsodizing about motherhood and goes on to say of the actor that she “has quit weaving her shroud and no longer waits.” Of course this is a reference to the Odyssey, but what is it supposed to mean? If there’s some connection between Odysseus’ wife and the star of Vicky Cristina Barcelona besides a shared name, Labari does not reveal it. The most affecting portions of the book are the ones in which the narrator describes how motherhood changed her relationships with her own mother and grandmother. These sections benefit from a simplicity and specificity most of the book lacks.
Labari writes with candor, but she doesn’t have much to add to the communal conversation about mothers and mothering.Pub Date: April 6, 2021
ISBN: 978-1-64286-072-6
Page Count: 224
Publisher: World Editions
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Hokey plot, good fun.
A business executive becomes an unjustly wanted man.
Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.
Hokey plot, good fun.Pub Date: Nov. 11, 2025
ISBN: 9781538757987
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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