Essential for students of the short story and for fans of Henry’s work.

O. HENRY

101 STORIES

A treasure vault of work by a master of the short story form.

Even in the very early work that Yagoda collects in this thick volume, Henry (ne William Sydney Porter) reveals himself to be an assured if not always trustworthy narrator who seems to be having a great deal of fun while spinning yarns. Evident early on is his mistrust of institutions and bureaucracy: “There is—or was, for their day is now over—a class of land speculators commonly called land sharks, unscrupulous and greedy, who have left their trail in every department of this office,” he writes of the government agency in charge of land patents. A few pages later, he unfolds a rather morbid and very brief story in which a dying woman unwittingly provides the material for a humor columnist, seemingly her husband, holding her hand as he tries to write. Her dying words, “Mother, mother!” provide the final bit of needed copy: “The man wrote quickly: ‘A woman generally likes her husband’s mother-in-law the best of all his relatives.’ ” Yagoda’s well-selected anthology follows Henry through all his phases, from Texas bank clerk to fugitive (on account of embezzlement) in Honduras, federal prisoner, and, finally, reasonably successful New Yorker. The volume’s highlight, of course, is Henry’s best-known and much-loved story, “The Ransom of Red Chief,” in which two con men kidnap a “boy of ten, with bas-relief freckles, and hair the colour of the cover of the magazine you buy at the news-stand when you want to catch a train,” who makes their lives a bit of hell on Earth. Most of the stories, “Red Chief” foremost among them, read as if freshly written, although there are a few dated ethnic categorizations and outright slurs. Overall, though, the volume provides ample evidence for why one of American literature’s most eminent literary awards should be named for the author.

Essential for students of the short story and for fans of Henry’s work.

Pub Date: June 29, 2021

ISBN: 978-1-59853-690-4

Page Count: 750

Publisher: Library of America

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

Did you like this book?

No Comments Yet

As the pieces of this magical literary puzzle snap together, a flicker of hope is sparked for our benighted world.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

  • National Book Award Finalist

CLOUD CUCKOO LAND

An ancient Greek manuscript connects humanity's past, present, and future.

Stranger, whoever you are, open this to learn what will amaze you” wrote Antonius Diogenes at the end of the first century C.E.—and millennia later, Pulitzer Prize winner Doerr is his fitting heir. Around Diogenes' manuscript, "Cloud Cuckoo Land"—the author did exist, but the text is invented—Doerr builds a community of readers and nature lovers that transcends the boundaries of time and space. The protagonist of the original story is Aethon, a shepherd whose dream of escaping to a paradise in the sky leads to a wild series of adventures in the bodies of beast, fish, and fowl. Aethon's story is first found by Anna in 15th-century Constantinople; though a failure as an apprentice seamstress, she's learned ancient Greek from an elderly scholar. Omeir, a country boy of the same period, is rejected by the world for his cleft lip—but forms the deepest of connections with his beautiful oxen, Moonlight and Tree. In the 1950s, Zeno Ninis, a troubled ex–GI in Lakeport, Idaho, finds peace in working on a translation of Diogenes' recently recovered manuscript. In 2020, 86-year-old Zeno helps a group of youngsters put the story on as a play at the Lakeport Public Library—unaware that an eco-terrorist is planting a bomb in the building during dress rehearsal. (This happens in the first pages of the book and continues ticking away throughout.) On a spaceship called the Argos bound for Beta Oph2 in Mission Year 65, a teenage girl named Konstance is sequestered in a sealed room with a computer named Sybil. How could she possibly encounter Zeno's translation? This is just one of the many narrative miracles worked by the author as he brings a first-century story to its conclusion in 2146.

As the pieces of this magical literary puzzle snap together, a flicker of hope is sparked for our benighted world.

Pub Date: Sept. 28, 2021

ISBN: 978-1-982168-43-8

Page Count: 656

Publisher: Scribner

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

Did you like this book?

Absolutely enthralling. Read it.

Reader Votes

  • Readers Vote
  • 13

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

  • IndieBound Bestseller

NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

Did you like this book?

more