by Odd Arne Westad ‧ RELEASE DATE: Sept. 3, 2012
A fresh look at a confounding nation the West has not yet figured out.
An astute, succinct study of modern China emphasizing overarching themes like hybrid identity and foreign influence rather than nationalism and centrality.
In presenting this complex portrait of a fast-changing, multiethnic empire as it collided head-on with modern currents, Westad (International History/London School of Economics; The Global Cold War: Third World Interventions and the Making of Our Times, 2005, etc.) takes a thematic approach, following a dozen currents including the effects of imperialism and the relationship with Japan. The orientation of China’s empire for millennia was toward the Yellow River and the east, with fluid borders, numerous tributary states and a sense of centrality dictated by Confucian ideals. Since 1636, the Qing, a conquering outsider tribe, consolidated rule by expanding outward, even by genocidal means. Qing rule would steadily be chipped away during the 19th century, due to subsequent ineffectual leadership and disastrous interventions in Burma and Vietnam, uneven growth while Europe began undergoing technological expansion, and a shifting trade with Russia and England. The aggressive arrogance demonstrated by Britain during the Opium War and the concessions wrung by the treaty underscored Qing impotence, emphasized Westerners’ contempt for Chinese traditions, and sowed internal dissent. Westad employs this theme of foreign intervention all the way through Mao Zedong’s stringent shutting off of China to the outside world. The author also examines the significance of the global Chinese émigré community, which has played a key role in China’s capitalist transformation since 1978. China’s relationship with Japan grew mutually suspicious and fearful as Russia and the West moved in, and Japan’s aggressive war with China, 1937-1945, wrought unimaginable destruction, as well as renewal and modernization.
A fresh look at a confounding nation the West has not yet figured out.Pub Date: Sept. 3, 2012
ISBN: 978-0-465-01933-5
Page Count: 528
Publisher: Basic Books
Review Posted Online: May 30, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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