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NEVER LOOK AN AMERICAN IN THE EYE

A MEMOIR OF FLYING TURTLES, COLONIAL GHOSTS, AND THE MAKING OF A NIGERIAN AMERICAN

A diverse and entertaining set of memories on how a Nigerian man became an American.

A Nigerian man explains how and why he moved to the United States.

Growing up in Nigeria, one of Ndibe's (Arrows of Rain, 2015, etc.) greatest dreams was to live in America. So when Chinua Achebe offered him the job of founding editor of African Commentary magazine, a position based in the U.S., Ndibe didn't hesitate to accept. With impressive storytelling skills, the author explores his Nigerian childhood, his dreams and fears, and his arrival in the U.S. during a typical New York City winter, which he “strained to find the language” to describe, eventually settling on “akin to living inside a refrigerator.” Initially, the author focuses on his first few weeks in America and then expands to encompass the many years he's lived in the country. He discusses his introduction to American culture and the variety of differences between Nigerian and American society, including how people pay for meals and when they can and cannot visit. He writes about a racial profiling episode that happened between him and a NYPD officer shortly after his arrival in the country (the officer claimed he fit the description of a bank robber), the death of his father and the British man who had been his father's lifetime friend, the day he became a U.S. citizen, and the details of how he met his wife. Ndibe also integrates amusing moments—e.g., the mix-up that his first name, Okey, caused—within his reflections on becoming a writer and attending a master’s of fine arts program where he met and worked with a number of distinguished authors. On the whole, these intriguing essays give readers a unique perspective on the U.S. and provide an inside look into Nigerian culture and traditions.

A diverse and entertaining set of memories on how a Nigerian man became an American.

Pub Date: Oct. 11, 2016

ISBN: 978-1-61695-760-5

Page Count: 224

Publisher: Soho

Review Posted Online: Oct. 19, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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