A readable, witty exercise in modernist urban erotica.
A police raid on the office of a San Francisco dentist sets in motion an erotic novel that offers plenty of laughing gas.
Dedicating this raunchy, picaresque tale “to women,” Pearl says “true events” inspired it. He opens with the line: “I was drawn to her like a rowdy boy to a silly girl on a sandy beach on a windy day.” That setup warns readers to expect hyperbole, and the book delivers generous amounts of it. The plot involves a hapless dentist whose San Francisco office is raided one day by “determined men in bulletproof vests,” who wave weapons and talk about massive-scale fraud. The narrator finds himself a wanted man and begins his odyssey through Europe and America, a fast-paced and often sexually explicit journey from one stranger’s bed, couch, bathroom and bungalow to the next. He attracts the attention not just of those bulletproof-vested men, but of the Russian underworld and an improbable number of voluptuous women. In the few calm moments in the book, he reflects on his life and recent past in a way that gives his tale the air of an elongated Chekhov story with overcharged credit cards and Vicodin. As the narrator falls in with two shady businessmen, Koshel and Shurkin, and the exotic dancer Anushka, the story moves along with verve and confidence that counterbalance its essentially ad hoc nature. The prose is lean and effective, and the terseness highlights Pearl’s talent for good lines. “I never actually fall asleep, just bob in and out of some oily porridge,” the narrator says. Elsewhere: “New York has no climate; it’s a carnage of moods.” The story has an ending rather than a conclusion—some readers may wish for less ambiguity—before it provides a helpful glossary of Russian-criminal slang.
A readable, witty exercise in modernist urban erotica.Pub Date: Aug. 25, 2012
ISBN: 147765447X
Page Count: 202
Publisher: CreateSpace
Review Posted Online: Oct. 23, 2012
Kirkus Reviews Issue: Dec. 1, 2012
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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