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AFRICAN EUROPEANS

AN UNTOLD HISTORY

A thorough, dynamic, accessible narrative that pulls together disparate strands into a unique, fresh history.

An extensive rendition of African European history from the third century to the 21st.

In this enterprising book, historian Otele provides critical insight into the stories of Africans in Europe, beginning during Roman times and continuing to the present. Though the author maintains a steady, meticulous chronology throughout this well-written, thoughtfully considered book, she wisely leaves room for asynchronous observations when necessary. The breadth and depth of Otele’s research are impressive, as are the vivid characters who populate these pages, including Alessandro de Medici, the first Medici duke of Florence and the son of a free African woman (see Catherine Fletcher’s The Black Prince of Florence for more information); the dual-heritage Signare women on the islands of Gorée and Saint Louis off the coast of Senegal; 19th-century Russian novelist Alexander Pushkin, who was ardently proud of his West African great-grandfather Gannibal; and significant figures in both the late-20th and early-21st-century French Afro-feminist movements, all the way through to the formation of the Mwasi movement, “a collective of women and non-binary women of African descent,” in 2014. Otele investigates the perceptions of Black populations in European countries and the degree to which those African Europeans have been truly accepted within those societies. The author analyzes the many manifestations of racism they have faced and how that prejudice and oppression can have generational effects, including the continued “criminalization of black bodies.” Otele is also highly attuned to the role of gender in her history, and she consistently draws attention to the ways in which African women have been treated in European countries. By detailing such a wide variety of experiences across a vast geographical and cultural landscape, the author causes us to rethink the way we consider the terms African and European. With impeccable scholarship, she puts them together in a new context, showing what it has meant to be African, European, or both.

A thorough, dynamic, accessible narrative that pulls together disparate strands into a unique, fresh history.

Pub Date: May 4, 2021

ISBN: 978-1-5416-1967-8

Page Count: 304

Publisher: Basic Books

Review Posted Online: Feb. 15, 2021

Kirkus Reviews Issue: March 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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