Geek out with this romantic homage to fan culture.
The power of fan fiction becomes the romantic catalyst between an actor and a cosplayer.
Actor Marcus Caster-Rupp has shot his final scene as Aeneas in the TV series Gods of the Gates. Though the set has been home to him for seven years, he hasn't been particularly pleased with the direction the showrunners have taken his character. To work out his frustrations, he's secretly been writing fan fiction about his own character, giving Aeneas the storyline he deserves. The fanfic writing community has been a boon to him, leading him to “meet” one of his closest friends, Unapologetic Lavinia Stan, also known as Ulsie. Ulsie is really April Whittier, geologist and secret nerd determined to remain secret no longer. For too long, she’s hidden her love of Gods of the Gates and is now determined to be outgoing about her fanfic writing and cosplay projects. April starts by tweeting a picture of herself wearing a costume of Lavinia, a Gods of the Gates character and Aeneas' love interest. Fat-shaming trolls quickly make the picture go viral until Marcus himself sees it. His solution: invite April out for dinner as way to stick it to the toxic fan base. Will their in-person meeting reflect the anonymous connection they have online? Readers (and viewers) of Game of Thrones will undoubtedly catch the parallels, giving a healthy dose of fan service with a quasi fix-it feel. Both Marcus and April struggle with other people's perceptions of them: Marcus knows everyone views him as vapid while April is often first judged on her weight. While this is a sweet romance that unfolds partially through tweets and direct messages and fanfic storytelling, it’s also about the way the main characters learn to love themselves. The journey to self-acceptance is never easy, and Dade doesn’t shy away from that, but she makes it just as beautiful and gentle as the love that blooms between Marcus and April. One note is that the book is fandom heavy. If you’re entrenched in the community, you will feel right at home. If not, there’s a terminology learning curve.
Geek out with this romantic homage to fan culture.Pub Date: Oct. 6, 2020
ISBN: 978-0-06-300554-9
Page Count: 320
Publisher: Avon/HarperCollins
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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