Blake is gifted at attaining bestseller status; ascertaining her talent for authentic drama is more difficult.
Magic can’t solve the problems of this incredibly dysfunctional family.
As teenagers, Meredith, Arthur, and Eilidh Wren seemed poised for glorious futures. Now as the three approach 30, that promise seems to have gone a bit sour. A former lover is about to publish an article exposing prickly tech mogul Meredith as a fraud: She used magic to fake positive test results for a splashy new device which purportedly adjusts your brain chemistry to make you happy. Arthur, the country’s youngest congressman, watches his political fortunes tank while he juggles a complex love life that includes a devoted but apparently asexual wife as well as active participation in a pleasure-seeking throuple with a British aristocrat and a French race car driver. And lonely Eilidh mourns the glittering ballet career she lost five years ago to a car accident that injured her back, secretly pines for her father’s executive assistant, Dzhuliya, and worries about a secret ability that mimics the ten plagues. The three estranged siblings are forced to reckon with their past—and their future—when their domineering father, founder of the powerful corporation Wrenfare Magitech, suddenly dies. Blake has previously specialized in writing about brilliant, unpleasantly self-involved people; in this book, her apparently semiomniscient narrator actually comes straight out and tells you that all the Wrens are assholes. When the narrator’s identity is revealed (not that it was hard to figure out), it becomes clear that their opinions on the siblings are murkier than they previously admitted; but that might not do much to change the reader’s opinion as to whether there’s anything likable or indeed, relatable, about the Wrens. The author claims inspiration from Wes Anderson’s film The Royal Tenenbaums. She is clearly trying to establish the Wrens as Anderson types, charmingly quirky failures who have difficulty saying what they feel, struggling under the weight of expectations not fulfilled. Anderson’s cinematic world is contrived and artificial, existing in a sidestep from our reality; however, he can generally make his odd characters seem genuine. But Blake’s strange bundles of traits never quite coalesce as believable people.
Blake is gifted at attaining bestseller status; ascertaining her talent for authentic drama is more difficult.Pub Date: April 1, 2025
ISBN: 9781250883407
Page Count: 512
Publisher: Tor
Review Posted Online: April 19, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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