by Omar L. Harris ‧ RELEASE DATE: April 18, 2019
A thoughtful collection of managerial guidance hampered by patronizing prose.
A managerial self-help manual provides a comprehensive plan for success—from hiring a team to eliciting a cohesive performance.
At the outset of this book, pharmaceutical executive Harris (From Authors to Entrepreneurs, 2015, etc.) announces an ambitious goal: Based on his study of the most successful businessmen of the last two decades, he aims to articulate a synoptic strategy for managerial achievement. Drawing on a 1965 article by psychologist Bruce Tuckman, the author parses the evolution of a team’s growth into four chief stages. “Forming” is the group’s embryonic stage, in which its members develop an initial sense of their mission and of the roles that each will assume in order to accomplish it. Inevitably, the author says, members will jockey with each other for power—a tumultuous phase that’s aptly named “storming.” If the group survives this phase, they move on to “norming,” in which the members come to accept their positions within the group and achieve a measure of harmony. Finally, the team reaches a state of unity during the fourth stage, “performing,” which allows them to transform themselves into a single “problem-solving instrument.” Harris furnishes a system for stewarding a team through these stages called “Team Performance Acceleration Principles,” which accessibly provides the author’s promised “actionable wisdom.” Harris splits his book into two parts, one instructional and one fictional, and the latter follows the plight of a character named Sam Lombardi, a marketing executive at a troubled pharmaceutical company who’s compelled to launch a new brand with breakneck speed. Sam helpfully illustrates the book’s principles while drawing generously from such business-oriented self-help manuals as John C. Maxwell’s The 17 Essential Qualities of a Team Player. The depth of Harris’ knowledge and expertise is unquestionable, and his counsel is consistently sensible and clear. His book is fairly brimming with charts and tools; for example, he breaks down job interviews, which he characterizes as a kind of dynamic “audition,” into 32 thoughtful questions. Although the advice flirts with banality at times—there’s a lot of emphasis on positive attitudes, for instance—the book will still serve as a valuable resource for new managers. However, Harris does have a tedious tendency to christen his strategies with acronyms, initialisms, or odd names that contribute little additional clarity. For example, “INNERviewing” is a means of capturing the personality profile of each team member and ensuring that they’re all properly aligned with the group’s mission. The tool is useful, and it’s grounded in a defensible insight, but its name makes it seem like a grade-school exercise. Indeed, at some points, the book seems to address the reader as if he or she were a child: “No Donkey-Konging! Just as in the classic arcade game, you must decide whether you will direct your new team from the top as the ‘boss’ (aka Donkey Kong), or as a collective Mario with the team goal of defeating Donkey Kong.” For adult executives who take themselves seriously, this tendency may become infuriating.
A thoughtful collection of managerial guidance hampered by patronizing prose.Pub Date: April 18, 2019
ISBN: 978-0-9965318-5-6
Page Count: 190
Publisher: The Pantheon Collective TPC Books
Review Posted Online: June 5, 2019
Review Program: Kirkus Indie
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BOOK REVIEW
by Vance Muse ‧ RELEASE DATE: Sept. 1, 1994
An entertaining autopsy of a failed NBC TV drama/comedy. Don't worry if you never saw or even heard of a show called ``Smoldering Lust''—or ``A Black Tie Affair,'' as it was retitled. The program lasted only a few episodes. Though it had potential, with $9 million spent on production, the talent of award-winning writer/creator Jay Tarses (``The Carol Burnett Show,'' ``The Days and Nights of Molly Dodd'') and actress Kate Capshaw (also Mrs. Steven Spielberg), and themes like adultery and murder, the project quickly faced trouble. Shaky network support, quirky writing, and a confusing title soon gave way to larger problems: a seven-month delay before airing, bad test results from a sample audience, disputes with the network's top brass, a debut in a bad time slot on Saturday night at 10 p.m. over Memorial Day weekend, and many negative reviews. While he delivers a lot of bad news, former Life writer Muse makes it interesting, providing colorful chapters on everything from shopping for the characters' upscale wardrobes, building and decorating the sets, and scoring the show to basics like scripting, casting, and shooting. He populates the scene behind the scenes with comic episodes and likable, three- dimensional characters who really seem to love what they do, and he avoids easy stereotypes. For instance, Tarses is a seasoned and philosophical TV veteran with high standards and a desire to nurture young talent; Capshaw is an artist, not a pampered star; and the censor at Standards and Practices is laid back and accommodating. Muse remains fairly sympathetic to the doomed show until the book's final pages, when, with hindsight, the author becomes the expert. ``Might the series have succeeded if all thirteen episodes had aired, in a hot spot on a good night, and under the original title? No way...someone probably should have prevented this expensive disaster from happening.'' Overall, a small tale well told.
Pub Date: Sept. 1, 1994
ISBN: 0-201-62223-8
Page Count: 272
Publisher: Addison-Wesley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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by Sheila Paine ‧ RELEASE DATE: Oct. 1, 1994
On a quest to discover the origins of an exquisite embroidered robe and amulet she found in London, British textile expert Paine chronicles her journeys from Pakistan to Bulgaria through some of the world's wildest outposts of civilization. Determined to track down the source of a tribal dress that protects women against evil spirits, Paine ventures as a lone, vulnerable woman through remote areas of Pakistan, Afghanistan, Iran, Iraq, Kurdistan, Turkey, and Bulgaria she travels armed only with photos of the embroidery, five kilos of luggage, a bottle of vodka, the Afghan amulet around her neck, and cash sewn into her bra and socks. She wends her way by bus, jeep, and hitchhiker's luck through police checks and villages where camels and Kalashinkovs are everyday sights and women's embroidery and crimson sunsets are the only vibrancy in a barren rockscape. A widow in her 60s, Paine stays in homes with bullet-ridden mud walls and in hotels without water, electricity, bedding, phone, or cutlery where she barricades her door to keep out lecherous nocturnal visitors. Babies cry at the sight of her and men either pelt her with rocks or gallantly protect and then assault her. She sneaks into Iran through a Khomeini-crowned gate and is smuggled into Iraq, where Saddam has a bounty on Westerners' heads. Under the protective guises of widowhood, motherhood, and local costume, she enters women's domestic sanctums to view their handiwork. In lyrical prose she describes lands ravaged by extreme seasons and political turmoil, where men discuss nuclear weapons and dowries, and women, hidden by veils, have 18 children while supporting their families. Ultimately, Paine's textile quest, which is solved with a twist, merely provides a pretext for a fascinating and beautifully written account of an odyssey through extreme physical, cultural, and spiritual wildernesses. Paine displays the courage of a frontierswoman and the prose of a poet, making this indispensable for hearty travelers. (3 linecuts and 5 maps)
Pub Date: Oct. 1, 1994
ISBN: 0-312-11236-X
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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