An eminently sensible user’s manual for saving the planet.
On the challenge of wrapping our heads around climate change—and actually doing something about it.
Pilkey, an earth scientist at Duke, and his contributors examine nearly every conceivable facet of how climate change is affecting life on Earth, emphasizing that it won’t just be human life that suffers. Yet humans are the chief culprits, and it’s up to humans to act, even as “we are not mentally equipped to prepare for a slow-moving abstraction like climate change that unfolds over decades and centuries.” It hardly helps that all the bad news about it has a numbing effect. Still, the author and his fellow contributors are confident that some positive action will ensue, since “we’ve been handed what is known in chess as a forced move.” There are paradoxical bits of good and bad news along the way: Flammable forest land area has declined by a quarter between 1983 and 2015, but only because so much forest has been swallowed up by farmland, and—bad news indeed—what we saw in the Lahaina conflagration of 2023 is likely to be repeated time and again: “urban firestorms…[that] will increase in scale and frequency, causing more death and destruction.” There are woes aplenty to report in these pages, but Pilkey and company offer ways in which readers can ameliorate them by taking viable steps such as establishing building codes that “require new houses to be made of fire-resistant materials”; outlawing water-intensive lawns in recognition that “drought and biodiversity loss have rendered the lawn aesthetic, especially as it is practiced in the United States, a hopelessly antiquated custom”; and making behavioral changes in daily life: “Eat more vegetables, drive less, and have fewer children....Stop building in areas at risk from wildfires, floods, sea level rise, storms, and so on.”
An eminently sensible user’s manual for saving the planet.Pub Date: March 29, 2024
ISBN: 9781478025443
Page Count: 320
Publisher: Duke Univ.
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An impressive, nuanced work of scholarship.
The Nobel laureate’s singular aesthetics.
Award-winning novelist, essayist, and literary scholar Serpell offers a compelling elucidation of Toni Morrison’s notably challenging fiction, criticism, plays, and poetry. “There are passages in Morrison’s works,” she has found, “that no reader I’ve ever met understands on the first go.” The source of Morrison’s “famed difficulty,” as Serpell sees it, was not “her intersectional identity, her prickly personality, or her contrarian politics,” but rather her complicated and sophisticated understanding of Black aesthetics. Serpell’s subtle textual analysis of 11 novels, “Recitatif”—Morrison’s only published short story—and several essays, plays, and poems is enriched by her prodigious literary background and insights she has gleaned from archival sources: letters, diary entries, notes, and manuscripts. Morrison, she asserts, “refused for her work to be reduced to her race and her gender, or to be forced to fit the expectations foisted upon her as a result.” Tar Baby (1981), Morrison’s fourth novel, seems to Serpell the first time in the writer’s career that she “directly addressed the white/black dichotomy” with characters who “are avatars for race.” Serpell gives extensive attention to “Recitatif,” a story in which “all racial codes” are vanished, yet one in which “racial identity is crucial” to its characters. The story emerges as “a kind of asymmetrical, contrapuntal, alternative dialogue” between its two female protagonists, “between an individual voice and the instruments of the social world, or between the reader’s experience and the story’s unresolved chords—or codes.” Celebrating Morrison’s “masterful difficulty and superb wit,” “her inscrutable yet perfect metaphors,” and “her unaccountable rushes of imagination,” Serpell affords ample evidence that she was “a writer whose deliberate difficulty—personal, political, and literary—defied classification…and made for brilliance.”
An impressive, nuanced work of scholarship.Pub Date: Feb. 17, 2026
ISBN: 9780593732915
Page Count: 416
Publisher: Hogarth
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
PERSPECTIVES
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