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XENOCIDE

Sequel to Ender's Game (1984) and Speaker for the Dead (1986), exploring the problems of alien contact and coexistence on planet Lusitania, where now three intelligent species dwell: human colonists; "buggers" (an arachnoid Hive Queen reasserts herself after the near extinction of her species in the human-bugger war); and the indigenous "piggies," who, after a horrid flaying-alive ceremony, metamorphose into sapient trees. But the planet is rife with descolada virus; this mediates the transformation of piggies into trees, but in humans mutates into a deadly, ineradicable plague. Rather than permit the descolada to spread, Earth sends a battle fleet to blast Lusitania. Once again, Ender Wiggin and his sister Valentine will play prominent roles in the search for a solution—the upshot being, thanks to time travel, a "rescolada" rescue-virus that promises to turn a potential plague into a fabulous biological tool. Splendid plotting—if you can stomach Card's repulsive transcendence-through-torture notions; and, what with the frequent, irksome, and interminable theological/philosophical interludes, it's hard to escape the conclusion that Card's true purpose here is to preach rather than simply tell a story.

Pub Date: July 15, 1991

ISBN: 0312861877

Page Count: 448

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1991

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SEVERANCE

Smart, funny, humane, and superbly well-written.

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A post-apocalyptic—and pre-apocalyptic—debut.

It’s 2011, if not quite the 2011 you remember. Candace Chen is a millennial living in Manhattan. She doesn’t love her job as a production assistant—she helps publishers make specialty Bibles—but it’s a steady paycheck. Her boyfriend wants to leave the city and his own mindless job. She doesn’t go with him, so she’s in the city when Shen Fever strikes. Victims don’t die immediately. Instead, they slide into a mechanical existence in which they repeat the same mundane actions over and over. These zombies aren’t out hunting humans; instead, they perform a single habit from life until their bodies fall apart. Retail workers fold and refold T-shirts. Women set the table for dinner over and over again. A handful of people seem to be immune, though, and Candace joins a group of survivors. The connection between existence before the End and during the time that comes after is not hard to see. The fevered aren’t all that different from the factory workers who produce Bibles for Candace’s company. Indeed, one of the projects she works on almost falls apart because it proves hard to source cheap semiprecious stones; Candace is only able to complete the contract because she finds a Chinese company that doesn’t mind too much if its workers die from lung disease. This is a biting indictment of late-stage capitalism and a chilling vision of what comes after, but that doesn’t mean it’s a Marxist screed or a dry Hobbesian thought experiment. This is Ma’s first novel, but her fiction has appeared in distinguished journals, and she won a prize for a chapter of this book. She knows her craft, and it shows. Candace is great, a wonderful mix of vulnerability, wry humor, and steely strength. She’s sufficiently self-aware to see the parallels between her life before the End and the pathology of Shen Fever. Ma also offers lovely meditations on memory and the immigrant experience.

Smart, funny, humane, and superbly well-written.

Pub Date: Aug. 14, 2018

ISBN: 978-0-374-26159-7

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

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I, ROBOT

A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.

Pub Date: Aug. 16, 1963

ISBN: 055338256X

Page Count: -

Publisher: Doubleday

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Aug. 1, 1963

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