The important themes of charity and love come through strongly in this thoughtfully and playfully illustrated but plainly...
A well-known literary fairy tale about compassion, adapted and with new illustrations.
The Swallow’s lyrical speeches have been removed, leaving the basic outline of the story of a gold statue, the titular Happy Prince. As a living ruler, he admits that “I didn’t care what happened to my people.” Now concerned with his citizens, the gold statue asks the kind Swallow (pictured with a white, human face) to stay in the city instead of migrating to Egypt to escape the cold. The Happy Prince wants the Swallow to give his sword’s ruby to a brown-skinned seamstress so she can purchase “food and medicine for her poor son.” He asks the Swallow to carry his sapphire eye to a young, white writer who needs firewood and finally to take his other sapphire eye to a suffering, white match-girl. The Swallow selflessly declares that he cannot leave the blind Prince. Other charitable acts follow as the Swallow gives away the Prince’s gold leaf exterior, but the bird finally dies from the cold and the Mayor orders the now “shabby” statue to be destroyed. As a fit ending for the two true friends, one of God’s angels brings them to a Rousseau-like “garden of Paradise, together.” The bold, expressive, mixed-media illustrations have a childlike look and idiosyncratically include Egyptian palm trees and camels in the northern city. The detailed, busy, often humorous images are best appreciated one-on-one.
The important themes of charity and love come through strongly in this thoughtfully and playfully illustrated but plainly written adaptation. (Picture book. 7-10)Pub Date: Sept. 5, 2017
ISBN: 978-0-500-65111-7
Page Count: 48
Publisher: Thames & Hudson
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
In all, it's an unsuccessful follow-up to Weeks' Pie (2011), but word-loving Melody is appealing, and her appended list of...
Melody Bishop's peaceful life with her widower father is upset when the annoying 6-year-old next door comes home from the beauty parlor with some gossip.
The 10-year-old has already noticed her father's increased distraction and a new tendency to whistle, so when Teeny Nelson reports that "Henry's been bitten by the love bug," Melody is avid to know more. With her best friend, biracial Nick Woo, at her side, she goes to the Bee Hive beauty salon to investigate. What she discovers there rocks her world not once but twice, as salon owner Bee-Bee has information about Melody's mother, who died in childbirth and about whom her father never speaks. Weeks gets the small moments right: Melody's exasperation with Teeny and the way it turns to sympathy when the little girl's mother threatens a spanking; her affectionate resignation when her grandfather, who has emphysema, sneaks out to the garage for a smoke. And Melody's close relationship with her loving father is sweetly evoked. But other elements fail to cohere. Obvious misdirection leads Melody to a critical misunderstanding that never amounts to more than a plot contrivance, and the mystical visions of Bee-Bee's dog, Mo, who has an unknown connection to Melody, strain credulity.
In all, it's an unsuccessful follow-up to Weeks' Pie (2011), but word-loving Melody is appealing, and her appended list of nail-polish colors is somewhat amusing. (Fiction. 7-10)Pub Date: Jan. 27, 2015
ISBN: 978-0-545-46557-1
Page Count: 160
Publisher: Scholastic
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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