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MASTER SELF-PUBLISHING 2011 EDITION

THE LITTLE RED BOOK

A reassuring, information-packed roadmap to getting into print.

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Do-it-yourself authors will get a useful leg up on the business side of self-publishing from this slim how-to guide.

Let’s say that you’ve already finished your manuscript, because this uneven primer’s advice on actually writing one—a sample Publishing Timeline relegates the “Write the book” step to “Jan-Feb”—is perfunctory in the extreme. And let’s say that you’ve followed Daniels’ wise recommendation to have the manuscript professionally edited—he provides a list of online editing companies—and that your editor, unlike the author’s, did a good job of eradicating typos and grammatical errors. Now you’re ready to tackle the zillion little details of getting the book printed, copyrighted, distributed, marketed and, above all, noticed—and that’s where Daniels’ understanding of those complex tasks can most help. He walks readers through the minutiae of obtaining an ISBN and barcode, a copyright and a Library of Congress Control Number, things required by vendors before they will stock a book. Getting reviews are a do-or-die necessity—bookstores and libraries, Daniels says, usually won’t touch a self-published book without them—and the sections on approaching magazine, newspaper and online book reviews, complete with formatting and submission requirements and contact information, is especially thorough. Then there’s the fraught process of distributing and marketing; Daniels provides a list of distributors and co-op book-publishing associations, but for rugged individualists who want to hawk their books themselves, he also provides sample advertising flyers and catalogue sheets along with the addresses of hundreds of chain, independent and online booksellers, including black-owned, military, airport and other specialty bookstores. He even has a roster of radio book-review shows that might feature your tome. Self-publishing is a daunting prospect, but Daniels breaks it down into straightforward, manageable steps and gives readers a wealth of resources that will help them get started.

A reassuring, information-packed roadmap to getting into print.

Pub Date: Jan. 31, 2011

ISBN: 978-0982903636

Page Count: 110

Publisher: N/A

Review Posted Online: May 11, 2011

Kirkus Reviews Issue: June 1, 2011

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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ESSAYS AFTER EIGHTY

That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.”...

The writing life at age 85.

In this collection of 14 autobiographical essays, former U.S. Poet Laureate Hall (Christmas at Eagle Pond, 2012, etc.) reflects on aging, death, the craft of writing and his beloved landscape of New Hampshire. Debilitated by health problems that have affected his balance and ability to walk, the author sees his life physically compromised, and “the days have narrowed as they must. I live on one floor eating frozen dinners.” He waits for the mail; a physical therapist visits twice a week; and an assistant patiently attends to typing, computer searches and money matters. “In the past I was often advised to live in the moment,” he recalls. “Now what else can I do? Days are the same, generic and speedy….” Happily, he is still able to write, although not poetry. “As I grew older,” he writes, “poetry abandoned me….For a male poet, imagination and tongue-sweetness require a blast of hormones.” Writing in longhand, Hall revels in revising, a process that can entail more than 80 drafts. “Because of multiple drafts I have been accused of self-discipline. Really I am self-indulgent, I cherish revising so much.” These essays circle back on a few memories: the illness and death of his wife, the poet Jane Kenyon, which sent him into the depths of grief; childhood recollections of his visits to his grandparents’ New Hampshire farm, where he helped his grandfather with haying; grateful portraits of the four women who tend to him: his physical therapist, assistant, housekeeper and companion; and giving up tenure “for forty joyous years of freelance writing.”

That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.” For the author, writing has been, and continues to be, his passionate revenge against diminishing.

Pub Date: Dec. 2, 2014

ISBN: 978-0544287044

Page Count: 144

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 15, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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