A sparkling epic worthy of Bollywood’s silver screens.
A Hindi-cinema lover becomes part of an immigrant community in Edison, New Jersey.
It’s the late 1980s, and Prem Kumar is the youngest son of one of India’s wealthiest businessmen. Unlike his siblings, though, he’s completely uninterested in the family business: He’d rather hole up at home watching Hindi films, of which he has encyclopedic knowledge. With his father putting pressure on him to do more, Prem heads to America to connect with a director there in hopes of making his very own movie. For the first time in his life, Prem must get a job, following two of his housemates to work at an Exxon station. He worries that “he might be a mere sidey in the motion picture of life.” But then, like those of his cinematic heroes, his course is altered forever when he catches a glimpse of Leena Engineer in the aisles of India America Grocers and falls in love at first sight. When Leena’s father gives Prem a surprising ultimatum, Prem—with the help of his community—must draw on strengths he did not know he possessed to fulfill his true potential, even if it takes the rest of his life. Modeled explicitly after Bollywood staples—yes, there are musical numbers, one of which even takes place during a massive communal roller-skate—Dixit’s debut is partly a love letter to Hindi cinema, complete with an impressive command of its history and a flair for moments of cultural criticism. It’s also a celebration of Dixit’s own hometown of Edison, still the site of one of the largest populations of Indians outside South Asia. Although, like many Hindi films, the novel is overlong, it’s also a funny and charming testament to the ingenuity and collective spirit of Edison.
A sparkling epic worthy of Bollywood’s silver screens.Pub Date: June 4, 2024
ISBN: 9798890130150
Page Count: 320
Publisher: Third State Books
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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