Grier’s iconic force fails to translate to the page—a disappointment for fans of her unforgettable performances and reign as...
Screen goddess Grier reflects on her life as an Army brat and showbiz icon, to middling effect.
The author recounts her rural, peripatetic childhood, marred by two horrific rapes and her parents’ divorce, in clear, lucid prose that promises compelling anecdotes and insights regarding her career as a cult “blaxploitation” movie icon. Unfortunately, Grier glosses over the productions of such deathless classics as Coffy, Foxy Brown and The Big Doll House, offering only perfunctory, generic observations about the films and milieu that made her a household name. Instead, the author concentrates on her personal relationships—engaging stuff when the memories involve the likes of Kareem Abdul-Jabbar, Richard Pryor, and Freddie Prinze, less so when she laments her breakups with “civilians” and problems with various family members. Grier has had her share of bad luck with men, including Abdul-Jabbar’s increasing dedication to Islam and embracing of anti-woman conventions, which ended a long and previously fulfilling union, while Pryor and Prinze flamboyantly self-destructed with drugs. Grier also survived a serious bout with cancer, and has much to say on the subject of racism in America, sadly none of it particularly interesting. The author’s reluctance to delve deeply into her acting work becomes increasingly frustrating as the memoir plods on. She briefly discusses Quentin Tarantino’s rehearsal-heavy technique while discussing her late-career triumph Jackie Brown, fleetingly mentioning co-star Robert Forster, with whom she created one of modern cinema’s most affecting and charming later-in-life romances. On her Showtime series The L Word, Grier deigns only to remark on the importance of the subject matter and how terrific and supportive the cast was. She also describes a wig worn on the show as “The Beast,” endowing it with more personality than any of the members of that wonderfully supportive cast.
Grier’s iconic force fails to translate to the page—a disappointment for fans of her unforgettable performances and reign as the queen of blaxploitation.Pub Date: April 28, 2010
ISBN: 978-0-446-54850-2
Page Count: 288
Publisher: Punk Planet/Akashic
Review Posted Online: Jan. 5, 2011
Kirkus Reviews Issue: Feb. 15, 2010
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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