Fans of Younger are better off waiting for the show to return to the small screen.
In the sequel to Younger (2005), now a popular TV series, former publishing professional Liza Miller finds herself grappling with what it really means to be older.
Liza is about to turn 50, but she's still dealing with the effects of the years she spent pretending to be younger. Readers meet Liza two years after the events of the first book, now sequestered at a cabin in Maine. Thanks to her daughter Caitlin’s pregnancy, Liza is preparing to return to New York City, but this time with no home, no job, and no romantic prospects. That is, until Liza’s friend and former co-worker Kelsey—now working in Hollywood—decides she wants to turn Liza’s thinly veiled novel, Younger, into a TV series. This is when things start to get meta—real-life Younger stars Sutton Foster and Debi Mazar are mentioned as prospective cast members, blurring the lines between reality and fiction in a way fans will find amusing. Of course, the book goes a different route, picking flighty fictional actress Stella Power to play Liza and international superstar Hugo Fielding to play her male boss, allowing these two new characters to become the catalysts for much of the book’s personal and professional drama. But as Liza attempts to balance shooting the series with caring for Caitlin, figuring out her growing feelings for Hugo, and examining her continuing attraction to ex-boyfriend Josh, it can feel like the book is simultaneously doing too much and not enough. The plot wades into issues of motherhood, career, and aging but never dives in fully, and attempts at lighthearted moments like Liza’s ill-advised use of hallucinogenic mushrooms feel out of place.
Fans of Younger are better off waiting for the show to return to the small screen.Pub Date: Sept. 8, 2020
ISBN: 978-1-982142-94-0
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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