This engaging series entry delivers a nuanced critique of despotism.
A new king returns his realm to a darker age in this third volume of a fantasy series.
A horse-riding accident has resulted in King Edward’s death. John now occupies the throne, the older of two sons who has never been known for his intellect or manners. Lord Alfred, Edward’s younger son, beloved in court for his curiosity and compassion, stands ready to aid the transition. But John is a lout and immediately begins reordering royal life in ways that flout tradition. He tries, for example, to hold his father’s funeral and his own coronation in the same week. Lady Alice, the dowager queen, and the bishop help him make a better decision, yet this is merely a taste of John’s contempt for what the preceding rulers have built. He goes on to disband the commercial Assembly and empties the court of the lords, including Richard Devereux, whose strong loyalty enriches the realm. Alfred and his wife, Gwendolyn, are among those who pray John’s power-drunk maneuvers will burn out, but life only gets worse. Scores of people lose their jobs as the king mismanages whole systems of rule. Rogue preachers incite violence in the streets. Knights and their checkpoints become ubiquitous to halt immigration. To save the last century of progress, drastic action must be taken. In this installment of her series, Taylor deftly depicts the fragility of a society in the grip of a madman. History buffs will appreciate how she illustrates the progressive mechanisms that launched the Renaissance, such as books being cheap enough to buy at markets. John is perhaps too perfect a villain, the type readers will want to reach through the page and strangle. The author speaks directly to Americans suffering in the current political climate, especially when Alfred wonders: “How do I teach my children that they have a duty to respect...the king despite the fact that he regularly fails to embody the virtues they are asked to demonstrate?” Alfred isn’t a perfect character himself, but he becomes a more rounded one when he has an affair with businesswoman Amelia Greslet. The next installment promises a massive emotional payoff.
This engaging series entry delivers a nuanced critique of despotism. (family trees, map)Pub Date: June 11, 2020
ISBN: 978-1-68433-481-0
Page Count: 234
Publisher: Black Rose Writing
Review Posted Online: April 18, 2020
Kirkus Reviews Issue: May 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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