by Pankaj Mishra ‧ RELEASE DATE: March 1, 2022
An astute, discomfiting journey into a wasteland.
An intense, probing novel examines rampant materialism and spiritual bankruptcy.
Reprising concerns that informed several previous books, Mishra examines the consequences of capitalism, globalization, and the violence of greed on communities, families, and individuals. The narrator is Arun, who tells the story of his life and those of his friends Aseem and Virendra to Alia, a young writer aiming to expose the “Hollow Men” who have emerged from the so-called rise of the New India. Yearning to escape the squalor and humiliating caste system that marked their youth, the three, through dogged efforts, are accepted as students in a technical institute which, they believe, will launch them into a better future. “To be modern,” Aseem often repeats, “is to trample on the past; it is to take charge, to decide being something rather than nothing, active rather than passive, a decision-maker rather than a drifter.” Seduced by “fantasies of power,” money, and sex, Aseem and Virenda reinvent themselves: In New York, Virenda becomes a billionaire. Aseem, failing as a writer of literary fiction—like Naipaul, whom he venerates as “the prototype of the early twenty-first-century globalised man”—instead finds celebrity “as an environmental activist, cultural impresario and intellectual entrepreneur of the Global South.” Awash in money, he hobnobs with the international glitterati. Arun, meanwhile, beset by “a kind of guilt at wanting too much from the world,” retreats to a Himalayan village where he works as a translator. Yet he, too, is lured to the West, following Alia. Through Arun’s observations of educated, well-heeled liberals—Westerners and Westernized Indians—Mishra underscores the hypocrisy and pretentiousness of their overstressed “political and ideological commitments”; the behavior that Arun tries to emulate in “a series of impersonations—believable performances, with hardly any slips and fluffs, as an upper-caste Hindu”; and the painful trampling of his past.
An astute, discomfiting journey into a wasteland.Pub Date: March 1, 2022
ISBN: 978-0-3746-0752-4
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
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PERSPECTIVES
by Colleen Hoover ‧ RELEASE DATE: Dec. 10, 2019
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK TO SCREEN
BOOK TO SCREEN
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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