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SERIOUSLY! ARE WE THERE YET?!

A charming and sometimes-uplifting book about finding contentment.

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A self-help guide for adults, presented in the manner of a children’s picture book.

In this brief, somewhat whimsical work, authors Milana and Edwards and illustrators Horton and Horton adapt the form and sentiment of a kids’ book—complete with colorful images and simple, read-aloud rhymes—and apply them to distinctly adult concerns. There’s no larger, coherent plot here; each page is a separate, quick meditation on some aspect of contemporary adult life, such as “I once tried new things, was fearless & fun, / Seems so long ago, when I was so young.” Another rhyme reads: “What if all that is left at the end of the day / are piles of regrets, bills and debts left to pay?” From such somber prompts, the book’s creators craft a series of sunny sentiments aimed at adults who feel overwhelmed by modern life or disappointed by how expectations turned out. The book shapes a larger message of optimism, with bright affirmations designed to raise the adult readers’ spirits: “What came before has made me this me. / I am exactly who I’m meant to be,” asserts one verse. “The secret’s inside (as you already know) / Only you can help you continue to grow,” reads another. The book’s larger goal is to allay adult fears (such as “What if this is it, the best I will see?”) and help harried readers to see the encouraging, even transformative potential in everyday worries, and its accentuation of the positive can be effective at times. The illustration style is winningly cartoonish, with clean lines that match the simple, straightforward concepts. The prose also showcases a puckish, topical humor, as well: “I’ll climb a new mountain, start eating kale,” one line jokes, accompanied by an illustration of a TV remote control. “Change this old channel, it’s my fairy tale!”

A charming and sometimes-uplifting book about finding contentment.

Pub Date: Oct. 1, 2020

ISBN: 978-1-73543-640-1

Page Count: 42

Publisher: Madness To Magic

Review Posted Online: Jan. 8, 2021

Kirkus Reviews Issue: April 1, 2021

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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