An even-keeled evaluation of an important American band—a must for Phishheads, even though they probably know most of the...
The first biography of the undisputed king of modern jambands.
Founded in 1983 in Burlington, Vt., Phish spent years honing their chops and developing explosive live performances, which differed completely from night to night, before they entered the national radar in the early ’90s. Former Rolling Stone contributor Puterbaugh (co-author: Rhino’s Psychedelic Trip, 2000, etc.), who has covered Phish on and off since 1995, is quick to note the importance of the band to the live-music landscape of the past 25 years. “I firmly believe that they are one of the great American bands,” he writes, “and not just jam bands.” The author begins with a well-executed framing chapter that traces the band’s legendary festivals, from Ian’s Farm in 1987, to the forward-thinking Clifford Ball in 1996, to the disastrous mudfest at Coventry in 2004. In chronological fashion, Puterbaugh follows the band’s progress from a high-energy bar band to a consistently entertaining arena band that drew more than 80,000 fans to the swamps of Florida for Big Cypress in 1999-2000. He also discusses the many changes in the band’s playing over the years, focusing on how the group’s dynamic jamming has evolved as they have ventured into larger arenas and outdoor amphitheaters. The author ably sketches each band member’s distinct personality—from the alpha-dog exuberance of guitarist and de facto frontman Trey Anastasio to the quirky genius of bassist Mike Gordon—and digs up many intriguing stories behind the band’s storied career. Puterbaugh doesn’t shy from the negative events in the band’s history—including Anastasio’s arrest for narcotics in 2006—but his respect and admiration for his subjects is clear. The portrait that emerges shows a uniquely gifted collection of omnivorous musicians who understand the necessity of group collaboration and the near-infinite possibilities of the stage. Also included is an illuminating 2009 interview with Anastasio, conducted amid the band’s triumphant return, and a full list of Phish’s studio recordings and official live releases.
An even-keeled evaluation of an important American band—a must for Phishheads, even though they probably know most of the stories already.Pub Date: Nov. 24, 2009
ISBN: 978-0-306-81484-6
Page Count: 320
Publisher: Da Capo
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2009
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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