Next book

SOPHIE'S SQUASH

From the Sophie's Squash series

This season-spanning turn with high-spirited Sophie offers endearing lessons about nurture and regeneration.

Miller’s debut, in which a little girl affectionately adopts a butternut squash, is a winner.

After her parents buy that squash for dinner at the farmers market, Sophie commandeers it, giving it a face with markers. It proves just the right size to hold, bounce on her knee and love. “I call her Bernice,” Sophie says. “I’ll call for a pizza,” says her mother. Throughout the fall, Sophie coddles her veggie, attending library storytimes, visiting other squash at the farmers market and practicing somersaults near the garden. Her parents do their gentle best to suggest alternatives for the moldering squash, from a trip to the toy store to a donation to the food pantry. Sophie will have none of it. “Bernice will last forever.” When even Sophie notices changes in Bernice, she asks a farmer what keeps a squash healthy. Her unique interpretation of his advice (“Fresh air. Good, clean dirt. A little love”) yields, next spring and summer, delightful twin surprises. Wilsdorf’s amusing ink-and-watercolor illustrations alternate between full-bleed spreads and spots. From her bouncy braids to her red shoes, Sophie’s vibrant, determined nature shines forth charmingly.

This season-spanning turn with high-spirited Sophie offers endearing lessons about nurture and regeneration. (Picture book. 3-8)

Pub Date: Aug. 6, 2013

ISBN: 978-0-307-97896-7

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: May 14, 2013

Kirkus Reviews Issue: June 1, 2013

Next book

LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

Next book

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Close Quickview