A forthright memoir of pain and aspirations enlivened by sharp portraits of a host of colorful celebrities.
The theater world of the 1950s forms the backdrop for a star-studded memoir.
Before she became a journalist and biographer, whose subjects include Montgomery Clift and Marlon Brando, Bosworth (Jane Fonda: The Private Life of a Public Woman, 2011, etc.) was an actress who trained at the Actors Studio (along with Marilyn Monroe, Paul Newman, and Steve McQueen) and performed on and off Broadway, on several TV soap operas, and on film as Audrey Hepburn’s friend in The Nun’s Story. The author recounts the glamorous highs and frustrating lows of trying to succeed as an actress, offering juicy anecdotes featuring a large cast of the actors, directors, and playwrights who comprised the important men in her young life. In addition, she revisits some material from her previous memoir, Anything Your Little Heart Desires (1997), focused on her father, Bartley Crum, a lawyer who defended the Hollywood Ten and suffered reprisals during the McCarthy years; and her brother, Bart Jr., who killed himself in 1953. The two Barts are the men who affected her most. She dedicates the memoir to Bart Jr.; unfortunately, she records verbatim her imaginary, rather immature, conversations with him, which persisted long after his death. Bosworth longed to extricate herself from a “family full of terrible silences” that refused to recognize Bart’s homosexuality, find help for his depression, and acknowledge her father’s alcoholism and drug dependency. Her father eventually killed himself, as well. Her first act of rebellion was to elope when she was still in her teens. “By choosing someone my parents disapproved of,” she writes, “I found myself released from all traditional expectations.” But marriage was not the answer: her husband, a would-be artist, abused her; finally, with her father’s help, she got a divorce. She divulges an affair with an older, married man, who opened some professional doors; a later abortion; and, in 1966, marriage. By then, she had given up acting to become a writer.
A forthright memoir of pain and aspirations enlivened by sharp portraits of a host of colorful celebrities.Pub Date: Jan. 31, 2017
ISBN: 978-0-06-228790-8
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
BOOK REVIEW
BOOK REVIEW
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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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