edited by Patricia Foster ‧ RELEASE DATE: May 6, 1994
In her foreword to Minding the Body, an impressive collection of writings by women about the female body, Foster recalls her grandmother, a miner's wife in the '30s, telling her, ``When I asked my doctor for some form of birth control after the exhaustion of 12 pregnancies he said impatiently, `You're a woman, Mrs. Baxter. That's what women are made for.' '' That was then; today the demands for bodily perfection, a prime socioeconomic asset, have given rise to another kind of oppression—an oppression of shame. As Nancy Mairs writes, ``The female population of the US suffers from the shame of falling short of an unattainable standard, the ideal woman'' as defined by the advertising, television, and movie industries. Have women advanced economically only to be restricted by the cult of physical perfection? In response, Foster has gathered writings in which writers explore their relationships to their bodies. The result is a collection of vivid portraits by 20 writers, including well-known writers like Margaret Atwood, Janet Burroway, Doris Grumbach, Naomi Wolf, Joyce Winer, Judith Hopper, and other lesser-known writers. (Six of the pieces are published here for the first time.) They describe the day-to-day business of dealing with cancer and chemotherapy, pregnancy and infertility, anorexia, aging, multiple sclerosis. They give the facts about diets and plastic surgery. They describe what it is like to live as a minority woman in a culture obsessed with Calvin Klein jeans and fashion statements that peculiarly objectify Third World women. It provides a wealth of information about the realities this generation of women have to deal with. Though depressing at times, Minding the Body is an inspiring testimony to the female spirit. It offers examples of women who have mapped their own roads, who, as Linda Hogan says, lead lives that demonstrate the connection between the love for one's body as it is and the love one feels for the natural earth.
Pub Date: May 6, 1994
ISBN: 0-385-47022-3
Page Count: 336
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
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edited by Patricia Foster
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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